ALF Reviews: Project: ALF (Part 2)

Welcome back! For some reason you decided to tune in for more of Project: ALF, which I think legally classifies you as a minority. President Trump will be in touch.

So, yeah, Project: ALF. If you’re looking for a recap of part one, that last sentence was my recap of part one. Nothing happens in this shit, so don’t get your hopes up.

We open act two with ALF crammed miserably into a burlap sack. Some guy drives him to an undisclosed destination, which certainly gets my hopes up. All he needs to do is make it to the Pine Barrens and start digging for this to become the greatest movie ever made.

ALF bleats at this guy and we can see on his face that he’s really starting to wonder if all this is worth it just for a blowjob from Jensen Daggett. Either way, he’s determined to find out.

Jensen Daggett talks for a while about this guy named Dexter Moyers, who was some government bigshot who got blackballed for his ideas that UFO sightings should be matters of public record, instead of covered up. They canned his ass and now he lives wherever they’re going. Obviously it’s pretty far away, because if he lived nearby it would mean the movie might end in a reasonable amount of time and we can’t have that, can we?

And, again, I’m sorry, but fucking hell, this movie makes me ask this question over and over: how can the Alien Task Force operate publicly, funded by tax-payer dollars, in a world that doesn’t believe in aliens? Yes, in the ALF universe they obviously exist, but we were reminded last week that people who believed in aliens were hounded and ridiculed relentlessly, and this week we learn that somebody was drummed out of the organization because he wanted to speak openly about UFOs while everyone else wanted to cover them up.

So…what the fuck? If UFOs aren’t officially confirmed as existing, you can’t have this national organization operating for decades to study them. Period. If someone discovered a unicorn colony tomorrow, I can understand wanting to study what we’ve found. But I can’t understand opening a new branch of the military called the Unicorn-Dedicated Investigation and Examination Squad (UnDIES) if the official line is that there are no such things as unicorns.

It’s insane to me. I don’t understand the logic here at all. What is the Alien Task Force in the public mind if not an organization that studies…y’know…aliens?

Operate in secret, or admit that the thing you already say you’re studying exists. ALF and its offshoot here literally found the least believable intersection of visibility and public sentiment and stuck with it.

Project: ALF

They stop at a motel and ALF really sticks it to whoever that guy is by sending him out for food and fucking Jensen Daggett while he’s away.

The entire scene is more padding. Are you surprised? ALF just bitches about how hungry he is, and lists all the food he wants. The guy goes out in the middle of the night to get it. By way of saying thanks, ALF reveals that he took a massive shit in the burlap sack.

Then the guy gets back. ALF eats and makes noise until 3 a.m., and tells the people who just saved his life to go fuck themselves when they complain. It’s actually a great meta joke, as this was beat for beat Paul Fusco’s management style.

What the hell is ALF’s problem here? Is this supposed to be funny? Okay, yes, it is supposed to be…I understand that. But it’s really just annoying.

Watching ALF torment these two people who are just trying to help him is like being tormented by ALF yourself. It’s not funny at all, and it’s not even like ALF is saying or doing anything clever. He just keeps turning the TV back on when they shut it off and acting like an asshole.

As kim pointed out last week, ALF’s behavior is confusing. On the show he wanted his freedom. He couldn’t have it, because he’d be found and killed by the government, but he wanted to live a life of his own; that much was clear. Then he spent years in Alien Task Force custody with even less freedom, but now that two characters are working their asses off to give him what he wants, he fights them, insults them, and generally tries to ensure they’ll regret ever getting involved in the first place.

So what does ALF want? This is his movie, so we should have some idea of his motivation…right? Does he want to be free, or does he want to hang out in a jail cell playing poker for the rest of his life? What is the point of any of this?

Then we all learn that they didn’t write quite enough dialogue for the scene and ALF just jumps on the bed for a while.

Project: ALF

This is a movie, people. This is a movie. Can I please remind you readers out there that this is a movie? And if you had the misfortune to be born in Germany, it was a movie that you had to pay to see.

THIS IS A FUCKING MOVIE?!

This is really what Paul Fusco does with his bigger budget and creative control and hand-picked cast? He has a puppet jump on the bed and scream for fuck knows how long?

This is what he does with his big return to television?

This is what he gives fans who wanted more of his most famous creation?

No wonder no networks wanted more ALF. Project: ALF shows what that would have looked like, and you can’t fault anyone for saying, “No, that’s quite alright.”

Project: ALF is quite likely the worst film I’ve ever seen, if only because nothing of any significance happens at any point. None of the jokes are significantly funny. None of the emotional moments are significantly dramatic. There’s no significantly impressive puppetry. None of the twists are significantly surprising. None of the scenes significantly affect anything that happens in another scenes. None of the characters are significant. None of the writing is significant. None of the plot is significant.

What’s more, I’ve watched this movie at least three times now, and I still couldn’t tell you what happens in it. It’s all just so much shit.

Has anyone out there ever seen a film worse than Project: ALF? Tell me about this mythical cinematic nightmare, please, if only so I can focus on something else.

Then someone knocks at the door. For Project: ALF I think that counts as an action sequence.

Jensen Daggett and the male scientist hide ALF in the bathroom. Turns out it’s some guy dressed as Beetlejuice.

Project: ALF

My favorite part about this exchange is that when we see this guy, he’s leaning on the doorjamb with his arm angled into the room, but when we see the reverse shots his arm isn’t there, so it looks like he disappears whenever he’s not talking. Incredible continuity.

This guy looked familiar but I couldn’t place him. He’s played by someone named W. Earl Brown, and he’s been in loads of things so, again, I can’t possibly pin down what I actually know him from. But since Project: ALF he’s worked pretty regularly, including recurring roles in shows like Deadwood and True Detective, which I’ve heard some people like. I dunno. If it doesn’t star a sassy puppet I am simply not interested.

Anyway, he’s a trucker who looks like Dr. Sanchez from Garth Marenghi’s Darkplace, and he’s pissed off because of all that bed bangin’ sound until he realizes what’s going on.

Project: ALF

He says, “Damn, son, I didn’t realize you bagged Jensen Daggett. Carry on.”

Then he leaves and they go to get ALF out of the bathroom…but he’s gone!

Project: ALF

And holy shit is that the most melodramatic screengrab imaginable.

Anyway, whoever this guy is, he realizes that it’s going to be at least another 24 hours before he can cup Jensen Daggett’s sleeping hand over his cock, so they set out to find ALF.

And this, I have to admit, is a serious complication.

It took a while for the film to find any, but now there are some actual stakes: ALF is all alone. Jensen Daggett and this other guy have no idea where he is. Thanks to that distraction at the door he could be anywhere, and there’s no guarantee they’ll ever…

Project: ALF

Oh. Nevermind. He’s 20 yards away, in the manager’s office.

So much for that.

Why is he there? Who fucking knows. He’s not even hiding.

Well, he is hiding, but only as a joke…I think. It’s not clear.

ALF rings the bell a few times and then pops up and scares the old man who runs the place. So he was technically hiding when he was crouching below the counter, ringing the bell, but it wasn’t for the purposes of going undetected as, again, he was ringing the bell. And he pops up anyway, knowing full well he’ll be seen then, so I guess he just saw an old man and decided to be a fuckbag? It sure seems that way.

The manager is played by Ray Walston, who is best known for his work as the title character in My Favorite Martian. That’s a nice little bit of stunt casting, and lord knows the guy tries his damnedest here.

At this phase in his career, Walston also had a regular role in Picket Fences, and he worked more or less regularly for his entire life, so it’s nice to know that this poor guy wasn’t slumming for a paycheck.

I actually remember him best from the 1992 version of Of Mice and Men, with Gary Sinise and John Malkovich. It’s been many years since I’ve seen it, but I remember it being better than it had any right to be. That might be a good candidate for Fiction Into Film, when you guys let me write about good things again.

ALF demands a hat and coat from Ray Walston, because if there’s anything we missed about ALF it’s the way he bullied the elderly out of their possessions. He also asks for a quarter for the pay phone, and Ray Walston hesitates as he hands it over: “You’re not going to bite me, are you?” ALF says, “Not for a quarter.”

And, hey, a second laugh!

What’s more, it’s the first laugh at an actual joke. Bev Archer was funny, but her line wasn’t. She found room for comedy in the delivery; as written she was just introducing herself.

Here, though, we have an actual humorous exchange. I should have it stuffed.

Project: ALF

Anyway, ALF dresses as Holden Caulfield and places a call to one of the guards back at the Alien Task Force base. They somehow avoid making a “phone home” joke, and I honestly don’t know if I’m relieved or frustrated by that. Instead he extensively quotes “Take it Easy” by The Eagles so, yeah, I’m going to go with “frustrated.”

ALF bitches to the guard that Jensen Daggett and the guy with her aren’t even fucking, so he has nothing to listen to. At least Willie tried to get it up. Anyway, he’s sick of hanging out with these two if he’s not even going to see tits, so he tells the guard to bring him money and credit cards.

The guard doesn’t know where ALF is or how to reach him, though, so ALF says, “Leave a message on the internet,” and I honestly don’t know if that’s a joke or if that’s actually how Paul Fusco thought the internet worked in 1996.

Then ALF sees…oh for fuck’s sake.

Project: ALF

The Kitty Kat Lounge. The strip club so nice they put its name on the building twice.

He sees this place across the street and gets a huge boner, so there’s the erectile dysfunction arc nice and resolved.

As you probably remember, ALF swore off eating cats in “Live and Let Die,” the ninth episode of season four. After that I was on the lookout for cat-eating jokes to undo that development…but they never came. Shockingly, season four let ALF’s change of heart stick.

Then Project: ALF realized it’d be too difficult to write a second joke for him, and it went right back to this one.

Great.

Project: ALF

…yep. ALF goes to a strip club.

Like…ALF really does go to an actual strip club.

This is Project: ALF.

In which ALF goes to a strip club.

He goes in there because he expects cat to be on the menu, of course, because, again, fuck writing a second joke.

But the…I mean…it can’t just be me, can it?

The “eating pussy” confusion never comes up, but…I mean…this…it can’t just be me thinking that the movie sidles right up to that line, can it?

Like…he really does go in there to eat pussy…

Are we supposed to be drawing that connection? It can’t just be me…can it?!

Project: ALF

Whoever this guy is comes in and drags ALF out. There’s some bullshit about a two-drink minimum and ALF wanting to bite the bartender and the strip club not serving food and holy Christ on a stick is this movie padded. Still, here, around the midway point of the whole fucking thing, nothing’s happened.

Don’t get me wrong, you can do a really funny movie in which the stakes are low and it’s built around a series of fun setpieces, but Project: ALF is less Pee-Wee’s Big Adventure than it is Gordon Crosses the Street.

You know, Pee-Wee’s Big Adventure (like the more recent Pee-Wee’s Big Holiday) is a great point of comparison, actually. That film and this one each take eccentric, odd protagonists and shove them quickly out of their comfort zone, sending them on a wild, zany adventure that sees them interacting with colorful folks along the way. In literature we refer to this as a picaresque, but I think films just refer to them as road movies.

The idea of these kinds of stories is that things happen in relative isolation. One event or conflict may stem naturally from the last (though it’s not necessary, and lurching past travel logistics in order to get to the next big scene is common) but they’re episodic by design. Pee-Wee hitches a ride with an escaped convict, Pee-Wee wins over some bikers by dancing to “Tequila,” Pee-Wee gets chased around a big dinosaur by a guy who wants to bash his brains in. Those are all setpieces, with our only true connective tissue being Pee-Wee himself. The hunt for the stolen bicycle really just serves to kick everything into motion; it may be Pee-Wee’s motivation, but it’s not the film’s.

Project: ALF seems to be reaching for something similar, but it fails on two levels (well…at least two levels).

The first is that it’s simply not as funny. If you’re going to throw a bunch of comedy skits at an audience, they need to actually be humorous. If they’re not, there’s no reason for anyone to keep watching. (See: me, in 1996.) You can have a few stinkers, and you can have a few quieter moments amongst the mania (in fact, you probably should), but the audience has to be able to rely on the fact that if they stick around, something funny enough will happen to justify the missteps.

Project: ALF hasn’t had a single worthwhile joke yet, and we’ve given it more than enough time to produce one. Both Pee-Wee movies mentioned above will have had at least a dozen big laughs by now, and countless smaller chuckles and smiles. (Can’t vouch for Big Top Pee-Wee, though. That’s another one I couldn’t get through as a kid…is it worth reappraising as an adult?)

But then there’s another, more instructive comparison: Spending time with Pee-Wee is fun.

I’m not saying Pee-Wee is a better character than ALF. I think he is, by a fucking landslide, but that’s not my point. What I’m saying is that they’re both deeply flawed, irritating nuisances. But while that’s the case, there’s a giddy, childish thrill that comes from spending time with Pee-Wee. With ALF, however…

…well, you read this blog.

Time with ALF grates. It drains. It takes its toll. You get sick of him quickly, and while Pee-Wee has his regular flashes of wonderment or invention or silliness to keep him on the right side of our hearts, ALF just shits and screams and rapes a lot. It gets old. Hell, it got old 99 episodes ago.

Project: ALF could easily have been a loose collection of comic setpieces, and I hope that’s what it was aiming for. (If it wasn’t, I have no clue what this shit was supposed to be.) It’s not a bad idea. An alien and his former captors hit the road and get into crazy scrapes at every stop. An Alien Task Farce, if you will.

But the problem is ALF himself. Even with hypothetically better jokes, ALF is too annoying. He needs softening. He needs the rough edges sanded off now and again so that we can like spending time with him.

When Pee-Wee’s Big Holiday premiered, I saw folks on Facebook commenting on what an asshole Pee-Wee sometimes was in that movie. But here’s the thing: they weren’t all complaints. These people were just puzzled.

And here’s why they were puzzled: they were too young to notice when Pee-Wee’s Big Adventure and Pee-Wee’s Playhouse came out that the guy was always an asshole.

The character is a bit of a dick…but he was so likeable in spite of that fact that we never picked up on it. Pee-Wee was able to be flawed as a human being and a welcome presence on our screens. We were enjoying the things we liked about him, so we didn’t pick up on what others might not like about him.

With ALF, it’s impossible to pick up on anything otherwise.

Project: ALF

Anyway, there’s a police car at the motel, because Ray Walston NARCed.

Then we cut inside for another big waste of time as the police grill him about the little creature he saw. Ray Walston says it was a wolverine…but not the animal. He means a Wolverine, like the sports team, because ALF said he came from Michigan. Sounds hilarious, doesn’t it?

In the hotel room Jensen Daggett and this other guy yell at him for going outside, and then yell at him more when they find out he placed a call to the Alien Task Force.

ALF says they shouldn’t be too mad since he admitted to his misbehavior, and they’re getting it “straight from the wolverine’s mouth,” which is odd since ALF wasn’t in the room for that conversation between Ray Walston and the police so it’s not like he’s doing a callback or anything.

I don’t get this. I don’t get this.

I don’t get this.

There is a decently funny bit here, though. This guy, whoever he is, listens to ALF talking about calling the Alien Task Force and then he shouts, “Why!?”

ALF replies, “Because I need my things.”

Then the guy says, “I’m not talking to you. I’m talking to Him!” and points up, toward God.

Project: ALF

And you know what? That was pretty okay. Not worth sitting through forty-four minutes of horse shit to get to, but I liked that joke. It was a funny idea executed well. You know. The sort of thing you usually see about a hundred times in a comedy that knows what it’s doing.

In fairness to the actors, Project: ALF really does have a better cast than the TV show. Somehow, though, their roles are even more thankless.

Jensen Daggett says, “Dickheads, let’s go somewhere else.” But then this other guy says, “In what? A military van? They’ve probably got an APB out on it.”

And, man, this guy just picked up Willie’s mantle of being the biggest asshole imaginable at the worst of times, didn’t he? Jensen Daggett just said they need to get moving; that’s all. She doesn’t need this bullshit. (Jensen call me.)

Also: APB? That stands for All-Points Bulletin, in case anyone out there doesn’t know. That means every agent of law enforcement (“all points”) has been told to be on the active lookout for something (that’s the “bulletin”). Since the police were just here, parked next to the cunting van, and they didn’t bat an eye, I think it’s safe to say there’s not an APB out on it. You fuckshit.

Anyway, ALF says he’ll get them a new vehicle, and this guy lets him leave alone, unsupervised, without even asking him what his plan is, because that’s the kind of writing you get when you only have six fucking years to finish your script, I guess.

ALF then goes to the manager’s office and swindles Ray Walston out of his car. Just in case you thought the character got off too easy earlier.

Project: ALF

Then Colonel Martin Sheen…oh, yeah, that’s right. Martin Sheen is in this. I must have been blinded by the raw starpower of Jensen Daggett and whoever that other guy is.

Anyway, he walks around ALF’s cell, complaining about all the amenities the alien had as a prisoner. Which, fine, fair enough, but holy shitnuts look at this camera angle. How fucking tall is this room? It’s…not even a big room. It’s just a tall room. I guess that’s the reason you usually don’t shoot sets this way, unless the characters are supposed to be in a cathedral or something.

He finds out that his assistant used to gamble with ALF and he gets pissed off and Jesus Christ, is anything going to happen in this movie? I mean, again, if this is just a series of setpieces, fine. But Project: ALF‘s idea of a setpiece seems to be people standing quietly around while somebody talks about something we never get to see.

Project: ALF

And then ALF raps.

Like…ALF really does rap.

This is Project: ALF.

In which ALF raps.

Readers who truly hate themselves will remember that ALF has rapped twice before. Once in “It Isn’t Easy…Bein’ Green” and again in “Hail to the Chief,” so Project: ALF proves conclusively that tragedies come in threes. Anyway, this is his longest sustained performance yet, so be sure to track down the DVD if that for some reason appeals to you.

Anyway, they ride around in the car ALF stole from that poor old man, and he raps for no reason like he’s seen those colored people do on the TV.

It was almost impossible to get a screengrab of all three of these characters together, by the way. Whenever we see ALF’s face straight on, we see Jensen Daggett’s and this other guy’s shoulders, but not their faces. It’s as though nobody could share the frame in a way that might detract attention from ALF. Of course, we know THERE’S NO WAY THAT WAS INTENTIONAL

When he runs out of rap ALF talks shit about Carl Sagan for a while. Okay. Not sure why, but evidently he thinks Sagan is a piece of shit, so we hear about that. It’s like getting stuck next to your uncle at a family gathering and he just wants to talk about how much damage Obama has done to the country without ever giving a reason. He just wants you to know the guy’s a lump of crap, over and over again. Spoiler: I wouldn’t watch your dumbass uncle in a movie, either.

Jensen Daggett and this other guy just have to sit there and listen to it, because when you’re a human in an ALF production god forbid you get to say or do anything yourself. Then he runs out of Carl Sagan jokes and does a routine about the pronunciation of Uranus.

Fucking hell. I’ll ride with Pee-Wee any day.

Project: ALF

Then a song kicks in and from the way it sounded I thought for sure we’d be treated to some shitty cover of “The Wanderer,” but it turned out to be a shitty original instead. IMDB doesn’t list any soundtrack credits, which means this particular track must have been pulled from Free Garbage Music for Your Awful Movie, Vol. 4.

It sucks, and we hear a hell of a lot of it because we get all these damned helicopter shots of the car driving around.

Like, way too many of them. Just helicopter shot after helicopter shot.

Nothing’s happening. There’s no dialogue. No visual jokes on the road signs or anything. Just the car driving from a lot of different helicopter angles.

I guess if you paid to have a helicopter for the day, you’re going to use it as much as you can, but, damn, imagine if they had invested this money in a script editor instead.

There is one joke toward the end. Whoever the guy driving is says that it’s odd they haven’t seen another car on the highway. Which is a lie because we saw a truck go the other way while ALF was rapping. God dammit, Project: ALF.

But then Jensen Dagget says, “Bro, this is no highway. It’s Dexter Moyers’ driveway.” Which is a lie because there are clearly two lanes on this clearly tarmacked and clearly maintained road with clear DOT markings. GOD DAMMIT PROJECT: ALF

Project: ALF

They get to Dexter Moyers’ house and ALF throws empty booze bottles out of the car, smashing them everywhere because he is a fucking dick. Jensen Daggett goes to the intercom and there’s some robot voice that greets her. She tells it who she is, and the robot voice says, “Processing…” before the door opens, and we see some hot Russian lady.

I honestly thought the joke would be that the Russian lady would open her mouth and we’d find out that the robot voice was her natural voice, but, no, she has a normal voice, and I have no idea why she’s even in the movie.

In fact, she’s fucking terrible. Her lines are clearly overdubbed. It’s like watching Tommy Wiseau in The Room; her mouth moves and then you hear her line, not quite in sync, at a higher volume than everyone else.

You spent all that money on a fucking helicopter to film an unnecessary driving sequence, but couldn’t be arsed to hire better actors or editors? Dudes, this is one awful movie.

Anyway, some robot comes in, but I think it’s a different robot voice this time, so he wasn’t the one talking through the intercom as far as I can tell. My question will never be resolved!

The robot offers Jensen Daggett a drink, but she declines. (We’ve all been there, robot.) Then he says, “Wasted trip…” and turns around and rolls away. That wasn’t hilarious or anything, but the timing of the delivery was actually pretty funny. So, okay, there’s another joke I didn’t hate.

Project: ALF

…but then she meets up with Dexter Moyers and the robot does the same thing again with hors-d’oeuvres, and it’s a lot less funny the second time.

The whole reason Jensen Daggett left ALF and that other guy in the car was so that she could prepare Moyers for what he was about to see…but she doesn’t actually say anything to him about ALF.

Like, literally at all.

They say hello, he tells her that her father used to call her Porkchop, and then she cockblocks the robot again.

That’s it. She then says she’s going to bring the other two assholes into this guy’s house, without doing the one thing she said she was going to do.

I have absolutely no clue why this scene happened at all.

Project: ALF

So they let ALF and that other guy come in, and ALF immediately chases the cat around to eat it because he is ALF and ALF eats cats.

But hey, we get a glimpse of the midget!

Hooray!

Actually, it’s probably not the midget, but it’s a midget and holy shit did my enjoyment of this movie skyrocket for the three frames he’s visible through that doorway.

Anyway, ALF waddles in. Dexter Moyers says he’s thrilled to meet an alien life form. ALF says he really wants to fuck that Russian lady who can’t deliver a line to save her life.

We’re cookin’ now, huh?

Project: ALF

Then we cut to Ray Walston getting arrested because he has the government van ALF coerced him into taking in exchange for his car. Good to see our lovable hero is still irreparably fucking up the lives of everyone he meets.

Anyway, Walston died in federal prison without a friend or anybody to hear his final sobs, and that’s as good a place to stop watching as any.

Tune in next week for the thrilling conclusion to…

Uh…

Tune in next week, for the resolution of…

Hm.

Well, tune in next week for the part where Project: ALF stops.

MELMAC FACTS: Melmacian Martinis use fresh cat juice. If you don’t have it, you can substitute ferret.

Pop Questions: Sexual Violence and Incremental Outrage

Digital Devil Saga

A few years ago I discovered the Shin Megami Tensei series of video games. This was mainly due to the incredible Shin Megami Tensei IV, which I keep meaning to write about in depth here. I’m sure I will, at some point, but before that I’ll just say that it’s great, it’s inexpensive, and you should buy it.

Anyway, since playing that game I’ve been working through the previous titles in the series. There’s a lot more than three that preceded it, thanks to sub-series and side-series and spinoff games, and I’ve recently started working through Digital Devil Saga.

That’s also great and inexpensive and you should buy it, by the way, but that’s not why I’m here.

In fact, the entire, larger series is worth your time, serving as an incredible blend of philosophy, mythology, and characterization, giving you a much deeper and more rewarding psychological experience than most other games — RPGs or otherwise — could possibly deliver.

But that’s not why I’m here either.

Something odd happened when I was playing Digital Devil Saga a few weeks back, and it’s stuck with me ever since. It’s not something odd that happened within the game (though, I assure you, plenty of odd things happen within the game) but rather something odd that happened in my mind.

The game takes place in what’s suggested to be a post-apocalyptic wasteland known as the Junkyard. (I’ll be deliberately simplifying plot details here, so please don’t comment to clarify things; I want to avoid spoilers for folks who haven’t played it.) The Junkyard is in a constant state of war, with residents pledging their allegiance to one endlessly embattled faction or another, and fighting on its behalf.

At the start of the game, however, something happens that starts to tip the balance: a strange presence arrives on the battlefield, and Junkyard residents are suddenly overcome with a very literal bloodthirstiness. The war has changed. Instead of traditional warfare, the combatants have become cannibalistic. Adversaries don’t just fall; they are devoured.

That’s where you come in…fighting and gobbling up enemies to get stronger and stronger until — it’s implied — your faction, The Embryon, can conquer the Junkyard.

As you might imagine, such a world lends itself pretty easily to a dark, dismal, distressing narrative. Digital Devil Saga absolutely provides on that front.

It wouldn’t be accurate to say that as a player you become numb to the violence, as there always seems to be a narrative wrinkle on the horizon to remind you of what you’re doing, and to make you question your role in what’s unfolding. But it does, in a gameplay sense at least, become routine.

You adapt. You understand that this is just the way this world works. You’re going to kill and consume others, because if you don’t do that they will kill and consume you.

There’s plenty even in my broad summary to ponder and question and consider from a philosophical and ethical standpoint…and I’ve indeed been considering a lot of it. But that’s all just background information for my main question.

At one point in the game, you enter the territory of another faction: The Maribel.

When you do, you hear various voices, whispering about your arrival, and what’s in store for you. For instance:

Voice: …At last. Our food is here…

It’s nothing you aren’t prepared for, given the context and the events of the game you’ve played through already. Again, you’re not numb to the horror of people killing and eating others, but you understand it by now. You expect it.

Then they start talking about Argilla, the lone female on your team:

Voice: I’ll devour her breasts…
Voice: Her ass is delicious…
Voice: I’m going to savor her legs.

…and then I was offended.

Not by the game, which had done and continued to do a great job of playing with my emotions and expectations — one of the most rewarding aspects of any Shin Megami Tensei game — but by the characters.

That was my first awareness of incremental outrage. To fight and kill others is one level of wrong; to consume their corpses — as the game makes clear — is another. And now, on top of that, adding the intent to sexually abuse was even worse.

Of course, these statements reflect the literal eating of her corpse, but the sexually charged language is clearly deliberate, and meant to produce in the player a very specific association.

It was bad. It made me feel uncomfortable. It made me realize that the game was marking different degrees of wrongdoing, and making me feel them. It also made me feel pretty glad that I was going to kill these guys.

Which is about when I realized something else: these weren’t guys.

At least, they probably weren’t. The makeup of The Embryon and the other factions led me to overlook the fact that The Maribel was almost entirely female. The makeup of their faction was the inverse of mine.

And once I realized these were women saying those terrible things…it bothered me less.

Why?

It’s still sexual assault. It’s still, unquestionably, wrong. But why did the realization that women were planning these awful things bother me less than the idea that men were planning them?

Either way Argilla, my teammate, would be the target of sexual violence. Why did the fact that women were doing the targeting come as a relative relief?

It’s odd to me that I would feel incremental outrage that way. Isn’t sexual assault revolting, no matter who’s doing it?

Yes. I can answer that easily. But I’m also answering consciously. In the game, the first and only time I was in a situation in which I measured these horrors against each other, I subconsciously saw the female-led assault as less terrible.

I wouldn’t have thought about this at all if not for my own internal fakeout. Had I remembered that The Maribel were almost exclusively female (they have one token male, as The Embryon seems to have one token female), I would have felt disgust at the idea of sexual assault and never reconsidered it. But since I first thought men would be the assailants, and then realized it would be women, I was able to feel two distinct levels of discomfort. Why would that be?

It isn’t just me. We see this in the way the media treats teachers who sleep with students, and, of course, in the way audiences react to those stories. A male teacher sleeping with a female student is guilty of statutory rape and abusing his position of authority. Rightly so, and the reporting reflects that. A female teacher sleeping with a male student is instead subject to comments about her appearance, and, unfortunately, comments about how “lucky” the boy was.

In either case, it’s sexual assault. Yet these cases are not perceived or judged (in a social sense) equally.

And why is that?

Are we conditioned, in some sense, to feel repulsed by male attackers? That is to say, specifically male attackers?

We see it also in the debates about the bathroom laws now. While certain (idiotic) individuals believe that allowing transgendered individuals to use the restroom of their preference will trigger a flood of pedophilic activity to take place against their daughters, they seem blind to the fact these hypothetical pedophiles would already be sharing bathrooms with their sons.

Why the outrage in one direction, and not in another? Why does one possibility seem so heinous, while the other was just quietly permissible? In other words, why was one of these things okay in the sense that we never worried about it before, but this other thing so bad that we need to protest and put a stop to it immediately?

Once something goes “too far” and you feel your moral compass click, doesn’t that imply a line of acceptability? Anything prior to that failed to trigger that same outrage in you. Why?

Are we, as a society, subject to view abuse on a kind of spectrum? With “real” abuse happening in a situation that looks like this, and any abuse that doesn’t feeling less and less like real abuse the further away you get?

I find it interesting, and confusing. Would Argilla have felt relieved to any degree that her rapists would be female? Of course not. Are women who have those intentions less “wrong” than men who have them? Again, of course not.

And yet I had one kind of abuse — male on female — in mind, and felt outrage for it. When I realized it was another kind of abuse — female on female — I felt less.

Why is that? And what does it imply about us as a people?

ALF Reviews: Project: ALF (Part 1)

Well…we’ve got to do this, don’t we?

“Consider Me Gone” aired in 1990. It was the unintended final episode of ALF, and good sense prevailed for more than half of that decade. Then, however, in 1996, we got Project: ALF, a made-for-TV movie intended to wrap up the show. Or relaunch it. Or waste 90 minutes of our lives. One of those things.

This is the final chapter of ALF history that we’ll be covering, and I assure you Project: ALF will ensure that you won’t be disappointed by that. So here we go.

Special thanks to Phil M. (who posts here sometimes as Another Phil, in case you thought that was just a version of me after I drink a potion that makes me evil) for giving me Project: ALF and depression.

Before we begin, a few comments about the packaging. It’s pretty bare-bones, which reflects the content of the disc — English / French audio options, text-only bios (including an annoying one in which Paul Fusco recounts the time he met ALF), and an “Interview Commentary with Creator Paul Fusco.”

What’s an Interview Commentary? I have no idea. At best it’s someone genuinely asking Fusco about the movie as it plays in the background, but I’ve also heard “commentaries” on other things that are really just the audio from some unrelated discussion playing while you watch the main feature. I’m guessing that’s what this is, but I’ll never know, because fucked if I’ll ever listen to it.

The cover features a gigantic ALF grinding his pelvis against the eastern hemisphere, while a satellite projects Project: ALF impossibly onto nothing. Kudos on the project / project wordplay, guy who designed this art on Fiverr.

Along the bottom there are four stars that get called out, and I can’t stop laughing that Jensen Daggett gets second billing. Who the hell is that? She’s above Ed Begley, Jr. for fuck’s sake. Was she a big enough draw that she belongs on the box? Or is she just the only woman Fusco bothered to cast in this thing?

It’s hilarious to me. I imagine some guy in the video store finding this, asking his kids if they want to watch the ALF movie. “No,” they say, “not really.” Then he mentions casually that it has Jensen Daggett in it, and the kids suddenly go nuts.

Weird that I don’t see Max Wright, Anne Schedeen, Andrea Elson, or Benji Gregory listed here!

Project: ALF

The back cover is really reflective, so I had to put on a shirt before taking this picture. First you want me to watch Project: ALF. Then I have to put on clothes. It’s like a forced labor camp with you people.

There’s a synopsis I can’t read because I keep getting bored of it. If you can make it through the whole thing, congratulations.

Two items of interest: one, whoever was responsible for finding pull-quotes doesn’t know how capitalization, punctuation, or sentences in general work. One of these just says, “while preserving the flavor of the long-running series is even funnier,” which is impossible to parse and must only be printed here as some kind of zen koan.

The other interesting thing is that we have a logo for Paul Fusco Productions in the lower right, and not Alien Productions, which was the name given to the production team responsible for the sitcom and cartoons, among all other manner of ALF dumbfuckery. I have no idea what happened there, but it seems like Alien Productions lives on today only in other companies that have stolen its name, from a music recording studio to an animation service.

Project: ALF must represent the only time Paul Fusco Productions needed a logo.

Project: ALF

There aren’t any booklets or inserts with the DVD, probably because Phil M. had them framed, but I did see text on the other side of the cover, so I pulled it out and found that the French packaging is on the reverse side of the English.

It’s a little funny, simply because I don’t have any other DVDs that do that, but it’s also a pretty fair cost-saving move. Since this DVD has the French audio track already, all they need to do is turn the cover around and there’s a whole other market that can buy this thing. I’ll give them credit for resourcefulness.

I was pretty surprised that there’s not a German audio track or anything, since ALF was so huge there. But then I remembered that Project: ALF was actually released in theaters in Germany, so that market probably has a beefier home video release than we do.

Oh, yes. You may think I’m kidding, but I’m not.

In America, and other sane nations, Project: ALF was screened only on television, between two feature-length infomercials for the Thighmaster, so that nobody would accidentally see it. But in Germany, they were tricked into thinking ALF got a proper feature film, instead of some half-assed TV nonsense. It was released there as ALF: Der Film, which I wish I was making up because that’s funnier than anything I’ve ever said, and they paid full price for admission if they wanted to see it.

There, Germany. Now we’re even.

Anyway, we can only delay this so long. Let’s take a deep breath and start Project: ALF.

Please keep your mouth and nose covered at all times. You don’t want any of this getting in there.

Project: ALF

We open with a string of ostensibly military vehicles driving around somewhere. They’re driving at night so we can’t see that they’re just the production crew’s personal cars and vans.

They…go…places? I dunno. They just sort of drive around aimlessly so the credits can play out. We don’t know who they are, where they’re going, why we should care, or anything else. It’s just headlights, then a different angle on the headlights.

I should mention now that I remember watching this movie when it aired. I saw it advertised and figured I’d tune in. I remember nothing about it except that it bored the living fuck out of me and I turned it off to do something better with my time, like experiment with self-harm. It’s pretty bad when you make a revival movie for your show and even kids who used to love it feel like they’re wasting their time.

They arrive at…

Project: ALF

…uh, Edmonds Air Force Base.

Not Edwards Air Force Base? From the show?

I don’t know the legality of these things. Maybe you can mention specific government installations, but if you want to actually portray them on screen you need someone to sign off on the usage? I have no clue.

We never saw Edwards Air Force Base on ALF, but it’s a real place which evidently housed the Alien Task Force. Now we get to see the Alien Task Force and they’re at the similarly-named but legally-distinct Edmonds Air Force Base. It feels odd.

Also, there sure are a lot of armed guards around a WELCOME sign. Just…just puttin’ that out there.

Anyway, the cars do a few laps around Edmonds because there’s more names in the credits. When they’re finally done they pull up to some long meeting table that’s just sitting outside.

Like, they’re actually going to sit outside, in the dark, and have an official meeting. I guess that was cheaper than building a set, but what’s the in-universe explanation for that? Why does nobody say, “Hey, Admiral Whoever-You-Are, there’s, like, 150 buildings all around us here. Think maybe we can take this indoors?”

Project: ALF

Some guy then walks around distributing copies of the script for Project: ALF, which still isn’t finished but everyone’s sure it’ll work out. The camera pushes in on the cover of the last one, which makes me wonder why this wasn’t the title screen. Why did we just overlay some crappy white Project: ALF text earlier, when we already had this much more artful push-in on the same words just a moment later?

The fact that Project: ALF opens with the Alien Task Force should be thrilling, but it doesn’t feel that way now, and felt even less so when I was a kid. Back then ALF mentioned the Alien Task Force so rarely, and it had an impact on the plot even less frequently, that I don’t even think I remembered it existed.

If ALF is in government custody that should be interesting, but here is a very specific organization within the ALF universe that is so important that the entire film is about it…and I had no fucking clue who any of these guys were. It fell at the first hurdle, there.

Actually, even if I had paid more attention as a kid I wouldn’t have known who these people were; we never saw the same Alien Task Force guy twice. It was always some new nobody who didn’t do anything but knock on a door and shrug. Forget the first hurdle; it died in its sleep the night before the race.

Project: ALF

Martin Sheen gets up and introduces himself unconvincingly as Gilbert Milfoil, taking a break after his first name to try to remember what the hell his last name is supposed to be. That’s the first line in Project: ALF and already you can see just how invested anyone is in it.

Gilbert Milfoil is the head of security for the Alien Task Force, which means he really should have been fired at least ten years ago. He introduces his assistant, Private Nobody. Then the kid gets up to introduce himself, realizes he’s already been introduced, and sits back down because he has nothing else to say.

That, I’ll be honest, wasn’t a bad bit of mild comic business. As an opening gag, though, it’s really weak. Unless the real opening gag is that you’re giving up your evening to watch this in the first place. In which case the opening gag is brilliant.

Project: ALF

There’s some conflict between Martin Sheen and the other people here that nobody knows, because he wants to have ALF destroyed, while these other two, who I guess are scientists, want to monitor him and potentially set him free. I have no idea at this point how long ALF has been in Alien Task Force custody, but it’s implied to have been a while.

Martin Sheen suggests incinerating ALF, and I like this guy. He clearly doesn’t want to be in the film, but as long as he’s here he’s going to try his damnedest to kill ALF. He gets me.

Then someone remembers that there’s an audience watching this, so they’d better spill some backstory. A senator or something (I don’t want to rewind and you can’t make me) reads from her folder that ALF’s planet Melmac blew up in 1985. Which is odd, because ALF premiered in 1986.

Was he really just flying around for a year without a place to live? I mean, they say that’s the case, but I have a hard time believing that. A lost year of meandering was never hinted at in the show, and I find it much easier to believe that the explosion of the planet was a more recent trauma for him.

Project: ALF

Oh well. She mentions that he crashed into a garage owned by the Tanner family.

Martin Sheen says that ALF held the Tanners hostage, terrorized the cat, and set a shitload of fires. The scientists say that’s bullshit, but Martin Sheen says that Willie himself testified to these facts, and I like that, because it’s some serious real-world resonance. God knows Max Wright would rise from his grave for any opportunity to testify against Paul Fusco.

It’s here that we learn offhandedly that the Tanners are gone forever and never coming back, so stop asking. They’ve been exiled to Iceland as part of the Witness Protection Program. What crime did they witness? It’s never said. They committed the crime of harboring ALF, but it’s not like they witnessed a mob hit or something. Are they being protected from the Melmac Mafia?

Whatever. Martin Sheen says they get no phone service out there, so we’ll never hear from them again and certainly won’t have to cut them a fuckin’ paycheck. He’s asked about how they’re doing and he interrupts the question to say that that’s classified, so Paul Fusco really wants us to believe that this family we’ve spent four years with is miserable beyond belief and has no hope of getting their lives back. Hilarious!

It’s worth pointing out that Project: ALF should represent the fulfillment of all of Paul Fusco’s wishes. While making ALF he didn’t get along with his cast, was tied to a weekly sitcom budget, and had a room full of writers that may or may not have shared his vision for the show.

Now it’s just him. The cast is refreshed, the budget is bigger, and writing credit goes to Paul Fusco and Tom Patchett alone.

He’s got everything he wants. Project: ALF is his chance to show us what ALF was really capable of.

Let’s see how that pans out.

Anyway, one of the military guys says they should look at some tapes of ALF, and holy fuck yes for God’s sake. I never thought I’d be so happy to see ALF, but this god-damned movie is just a bunch of white people making small talk at the world’s worst secret barbeque.

No wonder I shut this off as a kid. Who is going to sit through this? It’s bad enough that no other characters from the show are in this, but we’re not even getting ALF! We tuned in to see the puppet, for fuck’s sake!

Project: ALF

On tape we see Dr. Ed Begley, Jr. torturing ALF. Now we’re talking!

It’s…a weird scene, though. ALF is all rigged up to some machine. Dr. Ed Begley, Jr. tells him they’re going to do some tests, but not to worry about anything.

ALF tells him he’s concerned about the HIGH VOLTAGE sign, so Dr. Ed Begley, Jr. says he’ll remove it if it bothers him. ALF says, “It bothers me.” Dr. Ed Begley, Jr. goes up to the sign and tries to pry it off, and electrocutes himself to death.

While the gag was telegraphed a mile away, I definitely didn’t expect that they’d hire Ed Begley, Jr. just to do a couple of lines and fall over.

Maybe he’s not dead. He’s on the box, so…

Project: ALF

Oh.

Oh, no. He’s…he’s dead, yeah.

ALF talks to his replacement, Dr. Newman, for a while about how horrifically the body was burned, which pisses off Dr. Newman and makes him wonder why he bothered to appear in this movie in the first place.

I thought for sure I recognized Dr. Newman. He’s played by Larry Wolpe, but evidently that guy’s been in so many things that I can’t possibly figure out what I know him from.

He’s okay, though. Not hilarious, but he doesn’t get to do much other than tell ALF to stop talking about his dead predecessor.

Project: ALF

ALF won’t, so Dr. Newman panics…because his own safety is in jeopardy, I guess? It’s not clear. Anyway, he keeps saying “Stop the tape.” Then he walks over to a camera and shuts it off. Like, a different camera than the one next to him.

So…what the fuck was the camera next to him then? Is it just for show? If not, why isn’t he shutting that one off, too?

Ugh, Project: ALF.

Anyway, Dr. Newman is replaced by Dr. Mac from Night Court.

Project: ALF

The rapid succession of scientists could be a pretty funny joke in itself, but it’s over once we get to Dr. Mac from Night Court. Now the joke is something else: namely that ALF is hungry.

That’s resolved with ALF eating some KFC, which he inexplicably gets a craving for whenever he sees a black guy. Then ALF burps but the scene’s still going so the joke then becomes that the word association exercise is really poorly designed, I guess?

I dunno. Maybe it’s that ALF is being a jackass or that Dr. Mac from Night Court is a shitty scientist. It’s not clear. None of this is clear. I’m not convinced any of this was even planned before they started shooting it.

For example, one of the words in the exercise is “sit,” which leads to ALF saying that he’s already sitting, and Dr. Mac from Night Court having to clarify that “sit” is the word he’s meant to associate. Then another word is “here,” which…y’know, just picture “Who’s on First” as performed by talentless fucking idiots and you get the idea.

Project: ALF

Then ALF spins around really fast.

I have no fucking clue what’s happening.

Project: ALF

Later we’re back in the…interview lab? I don’t know what to call this place. Dr. Mac from Night Court has been replaced by Dr. Ron Swanson.

Dr. Ron Swanson wants to do inkblot tests, but ALF wants to talk about Dr. Ed Begley, Jr. getting electrocuted, so they send him to the centrifuge again, which I guess is what made him spin around earlier and FUCKING JESUS GOD we are already 10 minutes into this movie and nothing has happened. It’s just dull government briefings and a shitload of introductions to ALF’s revolving doctors. Just what kids were hoping for!

I was prepared to skip the whole fucking rest of this sequence but then we get…

Project: ALF

Bev Archer! We talked about her in “Someone to Watch Over Me” and “I Gotta Be Me,” but as a refresher she wrote three episodes of ALF and played Mrs. Byrd in another three.

She’s also the only actor from the sitcom to appear in Project: ALF aside from Paul Fusco, and she’s a damned good choice.

Archer is funny. Archer is talented. Archer can act. As shitty as it is to not feature the Tanners or the Ochmoneks or literally anybody ALF has ever interacted with, I’m glad that the one actor we do see again is Archer.

She got the film’s first laugh out of me as soon as she sat down. “Good morning,” she says. “I’m Dr. Carnage.”

ALF tries to make some jokes about her appearance but fuck that guy. Let’s just appreciate that somebody in this movie finally knew how to deliver a line.

I almost feel bad for her. She’s clearly putting effort into a role in what’s going to go down in history as the single biggest piece of shit anybody’s seen in their lives.

Project: ALF

She asks about his space ship and stuff, but Paul Fusco doesn’t like writing about that, so ALF instead tells jokes about being unable to maintain an erection. (I’m not kidding.) Then he calls Bev Archer a lesbian and she glances back at whoever is operating the camera to ask if they can make a Mama’s Family movie instead.

The scientists at the inexplicable top secret meeting that IS BEING HELD OUTDOORS WHERE ANYONE CAN SEE AND HEAR IT argue that the footage we’ve just seen proves that ALF is being subjected to inhumane treatment. If you ask me, it’s nowhere near inhumane enough.

Martin Sheen then talks for a while about how ALF is dangerous, and how he’ll bite your sack off if you’re not careful around him. (I’m not kidding.)

We then cut to ALF playing poker with some guards.

Project: ALF

There’s a fakeout at first, where the tight camera angles and suspenseful music make it seem like ALF is about to be prison raped or something. But instead they’re just playing cards.

Great stuff. No wonder Fusco was so dissatisfied with the direction of the sitcom. If he had it his way, there’d have been a prison rape fakeout every week.

Anyway, ALF wins everyone’s money or something. Good to see he’s still up to his old tricks of padding timeslots.

While I didn’t laugh at or enjoy this scene, there’s still something I like about it: it suggests a different dynamic than what they had for the sitcom. We don’t see a Willie figure and a Kate figure and a Lynn figure and a talking alarm clock that might as well be Brian; we see ALF doing different things with what seem to be different kinds of characters.

What’s more, the characters he’s playing with enjoy his company; it doesn’t seem like it’s endless conflict the way the sitcom was. ALF has real friends here — or seems to — and that leads to a different kind of capacity for story.

In fact, as much as Project: ALF is referred to — and was pitched — as a feature-length conclusion to the sitcom, it’s not.

When ALF was taken prisoner at the end of season four, it was meant to lead to a season five (and beyond) in which ALF took up residency with the Alien Task Force and started a new life there. Project: ALF is the conclusion to that incarnation of ALF…the one that never actually existed.

And that’s the problem. Paul Fusco might have a head full of stories that took place on the base, but we never got to see them, so when ALF returned we expected it to tie into the sitcom we remember. Instead it tied into the sitcom it would have become had it continued. There was a disconnect there from the start, and I’m sure that’s a big part of why Project: ALF is held in such low regard even by the fans.

Project: ALF

Gotta love those obvious Budweiser cans that just say BEER, don’t you?

ALF calls this one guard over and I thought he said, “Ron boy!” but his nametag says Sgt. Rhomboid so fuck this movie. They talk for a while about ALF getting massages and eating. At least Project: ALF adheres to the precedent set by the sitcom of always telling your audience things instead of wasting their time by showing any of it.

Then we’re back at the outdoor debriefing festival. The government guys, whoever the fuck they are, decide ALF will not be set free, which makes Martin Sheen happy. However they also won’t let Martin Sheen shove bamboo shoots under ALF’s fingernails or wail on his genitals with a knotted rope, and that makes him so sad we need to cut to him in his office, standing plaintively out a window.

Project: ALF

He talks to his assistant about how, when he was 12, his mother was convinced she saw aliens. But everyone teased her and made fun of her so she killed herself.

…hilarious stuff.

Am I supposed to be touched by this? Because really I’m just appalled.

He says that he decided to join the Alien Task Force then, to prove her right. So the Alien Task Force has been around for at least as long as it took him to grow from 12 year old Gilbert Milfoil into Martin Sheen…and until ALF they caught nothing? How did it stay operational?

And we talked about this a lot in the review for “Take a Look at Me Now,” but how in shit’s name does the Alien Task Force operate when nobody believes in aliens, and those who do believe in them get shunned and ridiculed? How has nobody shut this thing down?

And why oh why in the name of Christ do we have the backstory of mothers committing suicide in what’s supposed to be a comedy? ALF is supposed to be lighthearted and fun…something this very movie itself tries to bank on. Why set a silly roadtrip with a rapping alien into motion with the saddest story imaginable? It’s so tone deaf it’s revolting.

Project: ALF

In the…other lab, or wherever, the male scientist talks for a while about how fucking hot the female scientist was at the top secret outdoor panel the other scientists weren’t invited to, and which they had to open the window to hear instead. Then the lady scientist comes in and is all, “You think I’m hot?” And the male scientist says, “Of course I do, you’re Jensen Daggett.”

She says, “Yeah, I am, but I’ve been transferred so I’m Dag-gettin’ the hell outta here!!”

It turns out Colonel MILF Oil is splitting them up, I guess, and he’s also put in a requisition for some vaccines they were developing, presumably so he can inject ALF with autism.

Jensen Daggett calls somebody to talk about something, and concludes that the bad colonel who had to watch his mother hang herself when he was only a boy wants to kill ALF.

This is the plot Paul Fusco came up with after six years of deep consideration.

Project: ALF

Jensen Daggett and this other guy bluff their way into ALF’s cell, which has pinball machines and shit in it. Who cares. What is this fucking movie about? We’re almost a third of the way through it. Can something fucking happen?

No. No it can’t. Jensen Daggett and whoever this is stand there and listen to ALF talk in his sleep for a while.

They wake him up and say they need to escape Edward Edmonds Air Force Base, because Colonel Martin Sheen is a dick. ALF bitches that he can’t go, because he has a business to run. Whatever. I’m really only describing this crap so that I can make one specific observation.

Ready? Okay.

Remember way back in “Moving Out”? ALF stopped just short of plagiarizing one of the most famous jokes in entertainment history…one which, reportedly, received the longest sustained laughter ever recorded. In that episode, Kate told him that he could either continue to live with them, or he could eat Willie’s dinner. ALF thought for a while, and when pressed for an answer he said, “I’m thinking, I’m thinking!!”

That was Jack Benny’s famous punchline when told by an assailant, “Your money or your life.” Benny hesitated, was pressed for a response, and then hit his clever home run.

Here, in Project: ALF, the same exact joke is stolen. Again. And this time the theft is even more overt. Here they don’t even hide it in a different context. Martin Sheen is going to kill him, but he’s concerned he won’t be around to serve his customers, so the male scientist guy actually says, “You have a choice. Your money, or your life.”

So ALF says nothing for a while, Jensen Dagget asks, “Well??” and ALF says, “I’m thinking, I’m thinking!!”

In my review of “Moving Out” I wondered how they could be shameless enough to rip off one of the most famous jokes since the dawn of time. By the time of Project: ALF that shame is amplified to the point that they just repeat it word for word.

Holy shit this movie.

Project: ALF

Then Jensen Daggett and this other guy stuff ALF into a sack and throw him in the back of a van. Frankly, that’s the solution I’ve been proposing since episode one so I’m okay with this.

Jensen Daggett tells the other guy to stay behind while she takes ALF…somewhere?

It’s not really clear what their plan is here. It’s even less clear than why anybody made this movie at all.

But the guy refuses. She says, “This is an order.” He says, “What do you think you are, not a woman or something? I call the shots. Get your ass in the van.”

Project: ALF

They drive off of Edmonds Air Force Base, but things are nearly complicated when a guard stops them and ALF wakes up and complains loudly that he has to take a shit.

Anyway, everyone in this movie is a fucking idiot, so Jensen Daggett and whoever the fuck this guy is get waved through. The world is their oyster! Or they can just pull over and listen to ALF do impressions for an hour. Could go either way.

This is as good a place as any to break things, I guess, since they escaped the base and I don’t want to watch this anymore.

Tune in next week for part two of Project: ALF. Will ALF…uh…do…whatever it is he wants to do? Or will Martin Sheen…do…what…he wants to do instead? Will Jensen Daggett suggestively press her wet breasts against the window while washing a car? Will somebody other than Bev Archer succeed in making me laugh?

Find out the answers to one or two of these things next time!

MELMAC FACTS: Melmac exploded in 1985. ALF’s dye color is burnt sienna.

Help Make My Grandfather’s Day

My grandfather

It’s completely optional, of course…but if you’d like to help me make my grandfather’s day, I’d appreciate it. Read on to find out how.

I’m lucky enough to still have my paternal grandparents in my life. I know they won’t be here forever…and I don’t even know how much longer they will be here. It’s a thought that frightens and saddens me, because they’ve been there for me more than anybody else I’ve known. They’ve supported me, encouraged me, and been family to me even when it felt like I had none.

I care about them. And on June 4, President Obama is flying my grandfather out — along with many other veterans — to see the Korean War Memorial in Washington, D.C. It’s something called an Honor Flight. I don’t know all of the details. But I do know that my grandfather fought in that war, and never got to see the memorial.

He was injured in the line of duty, and only a few years ago did a congressman manage to award him the Purple Heart he earned, which had been held up in red tape. I wrote a bit about it here. I had no idea my grandfather was even entitled to one. He didn’t talk much about the war. There’s probably good reason for that.

Anyway, I don’t know all of the details about the Honor Flight, but my grandmother told me that I could write something for him to be delivered (or perhaps read) at the event. Again, I’m hazy on the details, but either way, I’m going to write something.

I know readers here don’t know him. But I also know that readers here would understand that I wouldn’t be talking about him at all if he didn’t mean a lot to me.

So if you want to write something, anything, even if it’s literally nothing more than “Thank you for your service,” please email it to me. His name is Philip J. Reed, Jr.

I’m sure he would appreciate any words of thanks, especially on a day like that, when a lot of memories are going to come back to him.

If you’d like to send something, please do so by Wednesday, May 25. I’ll print out whatever I have and send it all together.

Thanks in advance. I appreciate you guys.

MASH, "Goodbye, Farewell, and Amen"

Tetris

Tetris, by Philip J Reed

I wrote this a few years ago for The Lost Worlds of Power: Volume 0, but since that’s no longer in print, and since people seem to be mocking the idea of a proposed Tetris film, I figured I’d post it here. I have no idea what the plot of the film would be, but I think you’ll agree that if it’s not a hard-boiled murder mystery it’s a waste of everyone’s time.

Chapter One

It was a beautiful day. It’s always a beautiful day when I’m chained to a desk. Funny how it only rains when I need to be outside. Then again I can’t complain. I always love a good joke.

I pored over the files on my desk. Shut my eyes. Squinted. Maybe when I opened them I’d find something I couldn’t find before. But no. That never works. I should know. I’ve closed and opened my eyes many times in my forty-someodd years and never once did things get clearer.

Just papers. Receipts. Report cards. Junior’s history textbook with some abstract scribbling in the margins. The kid had promise. As long as what he was promising was to smear ink all over perfectly good textbooks.

The kid had been gone for three rainy days at this point. I combed the city. I found nothing. I stayed indoors and the sun came out. Big deal, right? Kids run away all the time. But there was a knot in my throat about the whole thing and damned if I couldn’t swallow it. That’s when I finally admitted to myself I needed help.

Fortunately help comes cheap these days. That’s one good thing about bootleggers, they drive the price of the real stuff right down. I pulled the bottle out of the one desk drawer that still worked and took a big slug. That knot in my throat didn’t go away but some other things sure did.

I closed my eyes to soften the blow to the bottom of my stomach and when I opened them, I wasn’t alone.

“I…I’m sorry,” she said. “You’re…busy?”

“Don’t look so surprised,” I told her. “There’s enough corruption in this city that even us lousy private eyes get to eat sometimes.”

She heard me alright, but she was one of those women that always pretended like she didn’t. I’d just met her and I’m not the sturdiest plank in the stack, but even I could see that much. That meant she was really bad at hiding what she was, or really good at showing what she wasn’t. She gestured vaguely at her faceplate. “You’ve got a little…”

I sure did. I wiped the dark stuff off my chin and told her to sit down.

“You look busy,” she said. “I…I can come back.”

“If there’s one thing I know about women it’s that they don’t come back. Not the good ones anyway. Sit down.”

She did. Cautiously. I know my office ain’t exactly the Ritz-Carlton but she sat down as though even her ass was brand-name and my ratty chair had better take that as a honor. “Homework?” she asked, nodding at the textbook.

I slipped the papers back into the folder, slipped the folder back into a box. Dropped the textbook in after it. No sense being gentle with the shape that thing was in. “Just another day at the office. Missing child. Been gone three rainy days and one really nice one. Guess which days I was out there and which one I was in here.”

“Should you be telling me this?” she said more than asked. “Is it not confidential?”

I shrugged for her. They like it when you put on a show. “So, what, I blab too much, give too much away, you run out and find the kid before me?”

“There’s no need to be rude.”

“You must be new in town.”

She looked at me for a little while, like she was trying to come up with something that would hurt me. She found it, I could see that much in her eyes. But then she kept looking at me while she decided whether or not it would come out of her mouth. I waited and I looked back. Looking back wasn’t half bad.

She was tall. Thin. Gorgeous. Absolutely perfect piece. Men waited lifetimes for a shape like hers to drop in. Funny how they never did when you needed them most.

She stood up, giving me a nice view of that long, slender frame. Like I say, I didn’t mind. She was making it real easy to be patient.

“I think we’ve gotten off to a poor start,” she said, all smoke and apology. I still waited. She had a speech prepared and wanted me to turn it into dialogue. Bully for her, but I’m not much one for theatrics. “I,” she said, eventually, “have reason to believe that my life is in danger. I can’t go to the police. Don’t look at me like that. It’s only because I wouldn’t have anything to show them.”

I didn’t look at her like anything. I’ve got a good poker faceplate. But it was part of her speech so I didn’t correct her. “And what do you want from me?”

“You’re a detective, aren’t you?”

“That’s what it says on the door, but I keep hoping it isn’t true.” She huffed a bit. Yeah, I knew her type pretty well. Spend more time practicing the huffs and puffs than the Ps and Qs. “Listen, doll, you can’t go to the police because you’ve got a big stack of nothing to show them, which means you’d get a bigger stack of nothing in return. What makes you think it’s any different here? I may not cash their paychecks but I sure as hell share their tendency to dislike wasting my time.”

She thumped a wad of bills on my desk. Scattered dust everywhere. I was terribly embarrassed about that. I’d been meaning to dust but I prefer to do it later in the millennium. “Is that a waste of time?”

“Usually,” I said.

She didn’t like that, but I wasn’t giving her a choice. She said, “You can call it a premonition. You can call it a load of hooey for all I care. But frankly I don’t want to risk it. I have…I have feelings about things, sometimes. I’ve learned to trust them.”

“What kind of feelings?”

She looked over at a row of books on the shelf, and spent a little time reading the titles. Only problem was there were no books on the shelf. I didn’t even have the shelf. “Ever since I was young. I’d rather not get into it right now. Especially since I don’t even know if you’ll take the case.”

“Neither of us know if I’ll take the case, and I won’t get any closer to giving you an answer until I know what we’re talking about.”

The phone rang. I have to admit, it gave me a start. I’m not a popular enough guy that I should have someone in the office and someone on the phone. I was starting to feel like a real celebrity.

I answered it. She didn’t like that either, but if she wasn’t going to tell me what she wanted I sure as hell wasn’t going to feel bad about interrupting her not telling me.

That voice on the other end of the line gave me the first good news I’d had all day. “Well, doll,” I said, standing up. I pulled my hat on, slipped into my shoulder holster, and guided her toward the door. “Duty calls. A scoundrel’s work is never done.”

“You’re forcing me out?”

“You can stay if you want but I have to warn you my empty chair isn’t much of a conversationalist.”

“I have a job for you.”

“So did someone else. But that phone call just let me know the work’s been done for me.”

She took a moment. I saw her faceplate light up. “The missing boy?”

“Yes ma’am,” I said.

“They found him?”

“Sure did.”

We were in the hallway now. I locked the door behind us. She told me her name. Irene Barre, apparently. If that was supposed to mean something to me, I wasn’t aware of it. I said nothing. She knew I had a kid to see.

Of course I didn’t tell her where they found him. He was at the bottom of a pit near the old scrapyard with his breadbasket caved in. Hey, what do you know? Looks like I’d get to spend a sunny day outdoors after all.

I could feel the dirty looks she was giving me as I walked away, but I can’t spend all day talking circles with some broad just because she looks nice. I may not always have things to do, but when I do, I make sure and do them.

That’s how you make a name for yourself. At least that’s what they keep saying. I don’t know why that’s such a concern. I’ve had a name since the day I was born.

I’m Tetris. Frank Tetris. And I was in for a bad day. The kind of bad day that lasted a week.

Chapter Two

I drove to the scene without making too much effort to hit the speed limit. There was no rush. Junior wasn’t going anywhere. And the police were already on it. Usually that’s as good a reason as any to drag your heels. They don’t like witnesses while they disturb the crime scene and stomp all over the clues. I would have taken the scenic route, but there’s nothing scenic about Tetramino City.

In a way, I guess I was lucky. They call people like me squares, and even if you don’t know what it means you learn real fast that they don’t think it’s a good thing. There are a few of us here in Tetramino City. Mainly service workers. Bus drivers. People keeping the liquor stores in business. But most squares were driven off to Quad Corners, the kind of place that sounds real nice until you can’t hear it anymore over the gunfire.

Quad Corners was to Tetramino City what Tetramino City was to The Capital. The slums of the slums. So I had the good fortune of being unwelcome even in a city full of unwelcomes. One thing’s for sure, a life like that sharpens your corners damn fast.

I parked next to a squad car I recognized well. Too well. In fact I’m still trying to forget it. It was the car of Sergeant Columns, a bent copper if I ever saw one. I made my way to the bottom of the pit. It was a landfill, or it was going to be. Right now it was a very big grave for a very young child. It certainly wasn’t going to be used as a landfill anytime soon, not with this circus set up down here. Tetramino City would just have to find some other place to put its garbage. Of course if it did there wouldn’t be a city left.

“Make way, boys,” called Sergeant Columns, looking over to make sure I heard him. “It’s Detective Flatlander.”

Flatlander was the previous generation’s square. You didn’t hear that one too much anymore. If you wanted to get called one of those you had to find someone with just the right balance of intolerance and ignorance. “Great to see you too, Chuck. What’d your boys find out?”

“Found out the strip joint your mother’s in. She wants to know why you never call.”

They thought that one was a real riot. Tickled them damned good. You’ve never seen policemen at work until you’ve seen them cracking each other up with a dead child about twelve feet away. “You got a great act, Chuck. You should take it on the road. Preferably right now, while I do some real work.”

“You’re investigating this?”

“The disappearance. Looks like it turned into something else.”

“Hate to break to you, Tetris,” he said, scratching his chestplate, “but the missing child case is closed. This is a matter for the geomicide department. No longer your job.”

“That’s fine. I’ll do my investigating off the clock, then. Man’s got to have a hobby.”

There’s some variation on this dog and pony show every time me and Columns run into each other. It’s a little like sparring. There’s a rhythm to it. Sometimes we even dust off old lines and give them another spin. But don’t let the ritual fool you. Beneath all the good-natured ribbing, we really did hate each other’s guts.

I wandered over to the kid. Junior Plank. Stiff as a board.

I looked around where he was laying. Tried to figure out in my head where he would have been before these clowns got their mitts on him.

“He hasn’t been touched,” Columns said, reading my mind. I’m pretty sure that’s the only thing he ever read. I didn’t see his S-shaped shadow creeping up on me. It was the first in a long line of things I didn’t see creeping up on me.

“Glad you taught these boys of yours to keep their hands to themselves. Maybe next you can work on their manners.”

“I’m not sure why you feel the need to keep butting into our work, Tetris. I’ve got it covered, believe me, and there’s no need for both of us.”

“There’s a lot of overlap in what we do, Columns,” I admitted. “But the difference is I do it well.”

He didn’t like that too much, which was just fine by me. He left me with one cop so new they probably didn’t have time to corrupt him yet. Columns and his misshapen crew were off to get some lunch. They’d been here all day. I gave the young cop a long enough look to let him know not to mess with me, and then I got to work.

It was Junior, alright. And for the first time in his worthless life that schmuck Columns was telling the truth. I could see that he was exactly where he landed. The dirt was disturbed just beneath him. Nowhere else. Just a perfect L, resting straight up, and supported by the high dirt wall behind him. The kid was pale. He’d probably been there all night. Maybe longer. It’s not like Mr. and Mrs. Brown were in the habit of peeping into the landfill every night when they take Bipsy for a walk.

The trouble was, there wasn’t much for me to see. The crushed faceplate wasn’t nearly as bad as it had been made out to be, but I’m sure that wasn’t much comfort to the dead. I climbed back out of the pit and made my way to the car. I couldn’t see any signs of struggle where he must have been dropped. He was killed somewhere else. That was smart. There would have been clues, because there are clues with every geomicide. But we didn’t know where they were, or where to start looking. Like I said. Smart.

I paused for a while. Why not? I can’t say it was the happiest afternoon of my life or anything, but it was nice to be alone in the silence for a while. The warm breeze rippled my trench coat. I looked out across the massive pit. I thought for a bit about how nice it would be to live someplace that wasn’t always overflowing with garbage.

The more I thought about it, the more I realized it’s good that I didn’t. I would never get used to it.

Chapter Three

The next day I didn’t much want to go to the office. I figured the dust bunnies could get along okay without me. Maybe it was Junior’s box of stuff, sitting there. That stuff helped nothing. I helped nothing. If there was any kind of clue in there I guess I wasn’t the guy to find it. So I pissed my morning away with a few slugs and a trip to the laundromat. All that sitting around waiting for a dryer worked up an appetite, so I swung into a Mexican greasy spoon called Pollo Pollo. The atmosphere wasn’t great, but at least the food was terrible.

I slid into a booth. The sign said please wait to be seated. Didn’t that sign know better than to try to be polite in this town?

The waitress came over. I knew her, but couldn’t tell you her name. She’d probably say the same thing about me. She was a little dumpy. Wide-hipped. One of those little inverted-T shapes. I felt bad for her. Nobody could ever love that. I should know. Nobody could ever love this, either. Funny how few things in this world people could love.

I ordered a coffee and some toast, just to soak up some of that rotgut I was dumb enough to swallow earlier. I thought about ordering the chicken jubilee but didn’t get that far. Making the little T look even worse for the wear, the tall I just came through the door. I passed on the chicken jubilee.

Irene walked around a bit. She wore the kinds of sunglasses people wear when they don’t want other people to know where they’re looking, but she didn’t have enough sense not to turn her head while she did it. I didn’t make it easy on her, but eventually she found me. She sat down.

“Sure, join me,” I said. We’ll have a nice romantic breakfast together.”

“It’s four in the afternoon,” she said.

“Too early for romance?”

She wasn’t in the mood for games. At least, she wasn’t in the mood for my games. She left the sunglasses on and lit a cigarette. She puffed a few times. The cigarette got to wear her lipstick.

“How’d you find me?” I asked.

“Find you?” she said, as though repeating the punchline to an off-color joke. “I didn’t find you. I came in for a meal, same as you.”

“Sure,” I said. “You came in for a meal. Dress up like you’re going to the junior prom, or maybe a funeral slash singles mixer. Then come into a place that hasn’t been cleaned since rags were invented. You can quit trying to fool me because I’m fool enough as it is.”

She scrunched up her faceplate. I have to admit, I liked it better flat.

“Fine,” she said. “I saw your car outside. I was on my way out for a meal. Is that a crime? I saw that you were here, and since you stormed out on me yesterday I thought I might try again to get my questions answered.”

“You think you’re going to die. Someone’s going to off you, I guess. But you’re the one with questions? What can I do with that? If you want any answers you’re going to have to give me some first.”

The waitress came back. She set down some coffee for me. No cream or sugar. No need to ask. She knew better. Same reason she wouldn’t expect much of a tip. Irene got the once-over from her. “I’ll just have a spinach salad and a glass of mineral water.”

“She’ll have the chicken jubilee,” I said, before we were both thrown out on our ears. “If she doesn’t eat it I’m sure I will.”

The little T waddled off and I leaned in closer to Irene.

“You listen and listen good,” I said. “I don’t know where you’re from and I don’t imagine I’ll find out without having to play some guessing game, but in this town you’d be smart not to draw attention to yourself. If you think these folks take kindly to anyone different from them, then you’ve got the wrong angle, sister.”

“My angles are right,” she said. “Same as yours.”

She turned her head enough that I knew what she looked at. I kept stirring my coffee. I let her do some talking for a change.

“How long have you been married, Mr. Tetris?”

“Not as long as I’ve been divorced.”

“But you still wear the ring?”

“Don’t get excited,” I told her. “It’s all she left me with, so I figured I might as well wear the damned thing.”

She smiled. I’m pretty sure she didn’t even mean to. “You know what I think?” she asked.

“Sure, but I’ll play along.”

“I think you act like a big, tough private eye because you’re really a little, soft man carrying a lot of pain.”

“Good insight,” I told her. “Now do the one about meeting a tall, dark stranger.”

The chicken jubilee arrived just as the cops did. Of course. It was just my luck. I didn’t feel like going to the office, so the office came to me. “Detective Flatlander,” said Columns, slapping me on the backplate just as I tried to sip my coffee.

“Irene, I’d like you meet my good friend Chuck. He’s a little slow but I give him a nickel to clean the gutters for me every summer. He manages to lose it before he makes it to the ice cream truck. But that’s just part of his charm.”

“Funny guy,” Columns said. “Must be why you like him. Can’t be for his looks.”

“Joke’s on you, Columns,” I said. “Nobody likes me.”

Turns out the good sergeant saw my car as well. I’ve got to learn to start covering that thing with leaves. He came in to see me, and let his pack of idiots loose as well. They were at another table in the back, playing grabass and spilling their icewaters. Tetramino’s finest.

“You weren’t at work today,” Columns said to me. Irene didn’t speak. She didn’t eat, either. Probably because Columns stuck his dirty paw into her food the moment he sat down. I never did get my toast.

“You caught me. Tomorrow I’ll bring in a doctor’s note.”

He waited. I heard one of his corners scraping anxiously across the floor. I knew that sound. “You haven’t read the paper, either.”

Yep. There was that knot in my throat. “I have not.”

“It’s the pit,” Columns said.

“Another one?”

He nodded. He pulled a big envelope out of his vest, and then took a few snaps from it. He laid them on the table for me. They all showed the same thing, from slightly different angles, and in sharply different stages of focus.

“See, baby? I’m not the only one with total disregard for confidentiality. He just met you and he’s flashing his goodies. One good thing about Tetramino City is you’ll never have to worry about anyone in government having enough brains to pull off a coverup.”

“Oh, my heart,” he said, making a grand show of grabbing at his chestplate. “You see this? I go out of my way to do my good buddy Tetris a favor, and this is how he thanks me.”

We were both trying to get a rise out of her. We didn’t. But the pictures sure did.

“I’m sorry to break up the party, gentlemen,” she said, climbing over Columns and out of the booth.

“I was just kidding with you,” Columns said.

“That’s very nice, but I’m afraid I don’t want to spend my afternoon with people who could kid around over…over that.” She pointed at the pictures on the table. “I’d still like to speak with you. Alone. Mr. Tetris.”

“You know where to find me.”

“I will,” she said. “If…I’m still around.”

“Can it with the poor-me malarkey, okay? If you really thought someone was after you you’d be kilometers away by now, not rolling around town looking for Tetramino City’s last leaf of spinach. If there’s something you do want to discuss, you’ll live long enough to do it.”

I sure was a fount of things she didn’t like very much. But that’s okay with me. And Columns, too. And about every other male with a set of working eyes in the place. Because she turned to walk out, and you wouldn’t think someone that tall and that thin and that rigid would have much of a tailplate. But brother, what she did have she knew how to use.

Columns gave me shit for another minute or two , but I think he was just buying himself more time with the chicken jubilee I apparently bought him. While he swallowed and bleated I took a closer look at the pictures. Not much to see, but Junior’s body had been joined by another at the bottom of that pit. Funny coincidence, it was one of those little Ts. I say funny. Really it made the knot in my neck throb.

“You were just there?” I asked.

“I was.”

“And you didn’t touch a thing.”

“Why do you always suspect me of tampering, Tetris?”

I scratched my chin and apologized. “Really, that was out of line. Forgive me. I spoke rashly based on all those times you tampered.”

This second body had landed perfectly against the first. It was rotated sideways, the head of the T resting snugly against the leg of the L. It’s a sad thing to see two bodies in that state and get the feeling they were made to fit together like that.

The worst part was the blood. Junior was dinged up alright, but this guy had bled everywhere. Junior was immovable death. This guy was desperate gore. “Who is he?”

“How should I know?”

“Because you have his wallet.”

Columns thought for a second about how to wriggle out of that one, but then he smiled. “You know me so well.”

“Unfortunately I do. I’m also cursed with common sense. Tell your new kid that he needs to take all of his snaps either before you pull the wallet or after. Taking some up front and some later makes it too easy for us little guys to see what scumblocks you are.”

Columns threw the wallet on the table. “He had six bucks. You want to be a boyscout I’ll give it to you and you can hand it over to his widow. I’m sure it’d be a great comfort to her.”

I was only half-listening. That was more than Columns deserved so I hope he was grateful. My attention was on the wallet. Or, rather, what was in it. Driver’s license, of course. Name Harold Delaney. Picture no more or less awkward than any others I’ve seen. Organ donor. Not that anyone would want them now. Some credit cards. A condom he never used. Nothing sadder in the world than a condom that never gets unwrapped. I should know. I’ve got dozens.

No pictures of family, no receipts for diapers. None of that. There was a business card. Normally that wouldn’t mean much. I carry a lot of cards myself. They’re good reminders of who not to call.

But the name on this card was one I knew very well. Columns did, too. I showed it to him. It hit him harder than anything had ever hit him in his life. In fact, he nearly stopped eating.

“Pay a visit to the good doctor?” Columns asked.

“Sure,” I said, slipping the card back into the wallet, and the wallet into my own coat pocket. “He’s going to be pretty sorry I skipped my apple today.”

Chapter Four

Dr. Mario was closer to Quad Corners than he was to the Capital. Good business decision. Even the biggest fool in the Capital would see through his phony accent and dime-store surgical smock. In Quad Corners, though, even the smartest of them couldn’t afford anything else. Dr. Mario held the monopoly on the medicine game, and whatever was in those big, flashy pills of his, it kept people coming back for more. It was impossible to pay just one visit to Dr. Mario, and those visits could go on all night before you knew five minutes were gone.

I knocked a couple of times on the wooden plank he called a door. Nothing. It’s possible he closed up early, but the knot in my throat disagreed. I was grateful for the first time in my life to have Columns with me. He kicked the door down with the kind of impunity you can only get when you pledge to uphold the law you’re constantly breaking.

The office was dark. Too dark. This wasn’t a slow day or an early closing. There wasn’t a light in the place. Thick, dirty curtains held the sunlight back from climbing through the windows. Ever the gentleman Columns let it in with a sweep of his arm. I peeked into the window where the receptionist usually sat. She wasn’t a sight I missed very much, believe me.

“What are you looking for?” Columns asked me, slapping me on the backplate.

“Anything,” I told him. It was true. The filing cabinets were open and empty. There were a few cigarette butts on the carpet. A whole hell of a lot of shredded documents in the trash can. Wherever the good doctor went, he sure went there in a hurry.

Fortunately for us, he went no further than the storage room. A sound like a box of ping pong balls spilling onto the floor put both Columns and I on edge. I drew my gun. He kicked the door down.

“Mama mia, you two,” he said, emphasizing the vaguely Italian gibberish he probably picked up from Saturday morning cartoons. “You almost give me a heart attack.”

I put my gun back in its holster, but not before I made sure he saw it. Columns stood still, facing Dr. Mario with his eyes on the yellow, blue and red pills that rolled around on the floor. There were hundreds of them if there were ten.

“Put some pants on, doc,” I said. “You have company.”

His eyes were big and crazed, and they rolled around in his head until he found a pair of pants, draped over the radiator. They were drying out. What was drying out of them was a question I was not about to ask.

“Taking inventory, paisan?”

“Yeah, yeah I need…for the end of the fiscal year…”

“It ain’t the end of the fiscal year, doc.”

“The medical fiscal year,” he stammered, hopping on one leg, trying to wriggle into his wet pants. He took a tumble, but lucky for him his fat belly broke the fall. How anyone could think of this man as a doctor was beyond me. There was a rumor going around that the only real training he had was in plumbing. Now that I’d believe.

“Don’t give us the goose and liver here, doc,” I said, cutting through the nonsense. “We know you’re skipping town. And in a couple of minutes you’re going to tell us why.”

“I am, am I?” he said, struggling to buckle his belt.

“Sure,” I told him. “I’m not sure how we manage to convince you to open up, but I think it’ll be a lot of fun finding out. How about you, Columns?”

“Come-a on, now,” he said, laying the accent on thick, all pity-the-poor-immigrant like. “How-a many times I have to get hassled by-a you boys? I’m-a trying to run a clinic here. So many sick…I just-a want to help.”

“Calm down there, doc. We just came by to give you the Polyominitarian of the Year award. You know, for all that selfless drug dealing you do.”

He was on the ground, scooping loose pills into a big glass jug with his dirty gloves. “If you just-a come here to insult me, you can turn right back around and walk out. I have-a real patients I can help.”

“You’ve got one less of them now,” I said. That stopped him alright. His faceplate went pale.

“What you mean?”

“Harold Delaney.” He took the driver’s license. Flipped it over. I don’t know what he expected to see on the back, but it wasn’t there. He flipped it back to the front and returned it to me. “He had your card in his wallet. Now why is that, doc?”

“I don’t care what you think. You won’t-a listen to me anyway. I knew him. He was-a good man. Paid on time. Some-atimes he tell a joke. That’s it. I don’t-a know nothing else about him, and if you think it’s a-me, Mario, that killed him, you could not-a be more wrong.”

“Then why are you skipping out?” Columns asked.

“I’m-a not. Some-a, uh, problems with the lease. I’m-a taking a little time to myself. Until things…sort themselves out.”

Columns opened his mouth to ask something else, but I held up a hand and silenced him.

“Leave him alone, Columns. He isn’t skipping town. Even if he wanted to the guy can’t afford a decent haircut or a second pair of pants. He wouldn’t get far.”

Columns wasn’t a big fan of that, but it was too late. It was out and he couldn’t exactly stuff the words back into my mouth for me. Though if he could he’d make damned sure I gagged on them.

“Besides,” I said, “we can’t afford to burn bridges with an insightful guy like Dr. Mario. He could be just what we need if the trail goes cold.”

Columns turned to me like I’d just started speaking in tongues. “The hell’s your angle, Tetris?” Doc didn’t look any less skeptical, or worried for my mental health. “Insightful?”

“Sure,” I said. “Didn’t you notice? Doc here figured out Delaney was murdered, when I didn’t even mention he was dead.”

Doc didn’t do it. He knew more than he let on, but so did I. I figured I’d let him know who stacks the deck around here. We left him on his hands and knees. For all I know, he’s still there.

Chapter Five

The next one dead was a cop. The young kid. The poor sucker never learned how to negligently photograph a crime scene. Now he was one. His name was Quarth. Not that it did me much good to know that now.

Like the other two, he was dropped into the ditch. If he wasn’t dead when he fell he was dead when he landed. He laid cold and motionless atop the other two bodies, his empty head snug in a perfect crevice between Junior Plank and Harold Delaney. Not an inch of space between them. I was starting to think these weren’t random killings. These were victims chosen for their shapes.

“What’s the matter, there, Tetris?” Columns asked. “You look green.”

“Yeah, and you’re going grey. What’s it to you?”

We were at the bottom of the pit. Getting to know the area pretty well by now. A real home away from home. I could even make my way down without stumbling. Another ten or eleven corpses and I bet I could do it on my hands.

Columns didn’t bite back. I was glad he didn’t. I wasn’t sure I had much bite in me either. Just a big knot in my throat that wasn’t getting any smaller. Every day for the past three days there’d been a corpse. Now that it was one of his own boys, even Sgt. Hatred was worried.

He heard one of the other cops laugh. At least, I think he did. I didn’t hear any laughter. Might have been quiet. Might have been nervous. Might have been in his head.

“You think this is funny?” he shouted. His faceplate went blood red. He leaned his broad shoulders into them. He might have been out of his mind. If he’d had one to be out of. “That’s one of you over there. That could have been you. Maybe it should have been you. You think Quarth would be laughing at you in that pile?”

He paced around, spitting and radiating anger so hot I had to undo a couple buttons.

“You think this is a game?” he shouted, climbing over the yellow tape that was three days old and still fated to get a lot older. He pointed at the bodies. “Well I sure as shit hope not, because if I ever came across somebody who could look at this…this!…and see a game, I would pull him apart with my own two hands, and the world would be a better place for it.”

His stream of abuse dried up. Poor sap stood there with his mouth open, steam coming out of his ears but nothing left to say. He couldn’t see me, but the boys could. Every few seconds one of them would shoot me the eye. The sarge’s engine stalled, but they knew they couldn’t just walk away for fear of fanning it back up again. They wanted me to do something. I thought that was really cute. The way they treated me earlier I’d sooner take a fork in the ear than pull any of their sorry potatoes out of the foil.

I lit a cigarette. I didn’t want it. I just wanted the boys to know I was letting them stew. After a few puffs I took pity. “Come on, Columns. Let’s get some food in that belly. I think hunger’s making you batty.”

He turned to me, and the red faded from his face. I was braced for an improvised rant of my own based on some sleight only he perceived. I was surprised when he gave me something a lot softer instead. “I need to show you something.”

We climbed out of the pit and made our way to the cars. They were hot to the touch. Brutal heat today. It was a good thing they hadn’t started using the landfill yet. The garbage would be sizzling, and this place would smell exactly as bad as the rest of Tetramino City.

“Here,” he said.

“You really are a creature of habit,” I told him. And why not? Sure, it was a kick in the pants, but did he really find it necessary to steal the wallet of his own dead colleague?

“Judge if you’ve gotta judge. But look what’s in it.”

“Card from Doc Mario?” I guessed. But it wasn’t a card. It unfolded into something much bigger than a card. It was a full sheet of paper, and on it was a picture of the dead cop. That’s it. Just the cop’s picture and one word. All caps. No punctuation, no explanation.

NEXT.

Sure was tough breathing through that knot in my throat, I can tell you that much. I folded the paper.

“The rest of the boys see this?” I asked.

“No,” he told me. “Maybe I’m just paranoid, but whoever gave him this, or planted it on him…for all I know, it’s one of them.”

“Sure,” I said. “But then why hide it? If it wasn’t one of them, they’ll be seeing it for the first time and you can work together. If it was, they know it’s there anyway. The fact that you hide it or don’t changes nothing. Certainly doesn’t help the kid at the bottom of that hole.”

Sgt. Columns leaned back against the car. It couldn’t be comfortable. In fact, with the heat it was probably painful. But you wouldn’t know it from the empty look on his faceplate.

“What happened to this city, Tetris?”

“Same thing that happens to every city, given enough time.”

“I just…don’t understand.”

“You’re in geomicide, Columns. You’ve seen this before. Three bodies? Shouldn’t even register.”

“That’s the thing,” he said. “It shouldn’t.”

He closed his eyes. I don’t know when I expected him to open them, but whenever it was I was wrong.

“And yet,” he continued, eyes still closed, “here we are.”

I have to admit, I couldn’t argue with that.

The sun held static in the sky. It blasted its heat directly downward, into the pit. Like a spotlight reminding the audience of what they should be paying attention to.

Even the good plays did that. They had to. Because any audience, anywhere, had to be full of idiots.

Chapter Six

I didn’t go right home, and I sure as hell wasn’t going to the office. It was times like this that I wished I had a friend. Lucky for me these times were a lot less frequent than the times I was glad I didn’t.

The streets were quiet. It was too hot to go anywhere. So I went everywhere. Passed the old book shop, as I always do. Not sure why anyone needs fairy tales when there’s enough to learn from the world around you. Thought about hitting the bar, but I couldn’t risk it hitting me first. Passed Lumine’s, that nightclub that just went up a year or so ago. Never had call to go inside. I hoped I never would. Kids danced around in that place to music that sounded like a whole lot of oil drums tumbling down the stairs. It was closed. Nobody would have been there in the daytime. Funny how stupid Lumine’s looked when you could actually see what was going on.

I settled for a burger. I didn’t eat it. I sat and stared at it and it stared back. Time passed. The sky got dark and I threw the burger away. It was the best conversation I’d had all week.

Rain. On a hot day like this you’d think it would be nice to get a little liquid cooldown, but Tetramino City’s rain is more like grease. Comes down sharp and hard from the sky, sticks to your face, to your windows. Stains your clothes. It eventually makes it to the ground and sweeps whatever trash it can find straight into the bay. Old diapers. Soda cans. Granddad’s pornography. Whatever trash was left out, it took. Tetramino City left a lot of trash out. Then it would get hot again, and that same water from the bay would start the process all over. Got dirtier each time. I wondered how long it be before the rain turned toxic. I wondered if anyone would even notice.

I drove to my apartment through the city of poison. Bags of chips. Some old pantyhose. A sales circular in about a thousand pieces. All of this sloshed around in the water my tires disturbed. All of this slid quietly down the storm drains.

Tetramino City was a hole. I liked to play a game sometimes. I’d open my apartment window, or my office window, or, hey, any window in the whole doggone city would do. I’d take a look at the view. And I’d think, what could I possibly change to make this city look worse? It’s a great game. Very challenging. I’ve never made it past the first question.

My apartment was what they called an efficiency. That was much more polite than what I called it. I drove around in the rain trying to find a parking spot that wasn’t torn to pieces or blocked up by some son of a bitch who thought he was entitled to two. As usual, I failed. That’s another fun game I like to play. Can I Actually Park in the Spaces I’m Paying For? I’m thinking of releasing a home version.

Two blocks on foot, through the rain. I could feel my hat and coat yellowing. Some of the rain got in my eyes. It burned.

A few young hoods ran past me, making for shelter. Even the vandals in this trash-heap knew that Tetramino City’s rain was the worst kind of jujumagumbo. They didn’t even stop to call me a square. I’ll have to remember to thank them.

The heat had been bad enough all day that the occupied buildings had their windows open. It let the greasy rain in, but it was that or be cooked alive. In my part of town there weren’t many who could afford an air conditioner. The few that could couldn’t afford one that worked.

I heard a few babies crying. Nobody answered. I heard a dog howling for food. Good luck with that one, pal. I heard the clatter of a whole lot of couples fucking. Can’t blame them. It’s not like they could afford to do anything else.

The glass door to my building was really just the frame for a glass door. It had been smashed to bits before I even rented the place. The landlord said he’d have it fixed by April. I’d complain but he never said which April.

The hall carpets smelled like mold. They might have been mold. Even when I had the time to check I wasn’t really interested in finding one other thing that was slowly killing me. Here and now I didn’t have that time. My door was open.

Just what I needed. It had been such a boring week. I kept looking at that pile of corpses and wondering what it took to become one. This was a real treat.

I pulled my gun, quietly, holding my trench coat away from the holster so that I wouldn’t make a sound. Then I inched closer to the door, listening. I had the gun raised in my right hand. If there was only one of them in there, I could easily get the jump. Two would be trickier, so I just had to hope that if there were two, at least one of them was stupid. Three or more and it was time to concentrate on taking as many out as I could before they took me out.

I took a deep breath and kicked the door. It swung inward, and not smoothly. Hopefully that top hinge gets fixed in April, too.

She said, “Long day at the office?”

It was Irene. She was in bed, with my thickest blanket wrapped around her. “If you’re cold,” I told her, “you could close the window.”

“I like the rain,” she said. “I am cold, but I want to listen to it.”

“You don’t have the right acoustics in your own place or what?”

She rolled away from me. Faced the window. The bed was in my bedroom. My bedroom is what I called a small area of the carpet about two feet from the door and six inches from the window. “I did,” she said into the rain, “what I needed to do.”

That was fine. I wasn’t really in the mood to argue a beautiful woman out of my bed. Not that I’ve ever been in the position to develop a taste for it. “Desperate times call for desperate measures,” I agreed.”

I could hear her breathing. “Do we live in desperate times?”

“Sure,” I said. “Don’t we always?”

Chapter Seven

The rain was just letting up as we finished. She kept the blanket pulled up to her chin. I don’t know why. I’d already seen her breastplate. Maybe it was some leftover conservative bent from whatever past of hers I’ll never know. Maybe she was just feeling some regret for letting a lowly square get flat with her in his dingy apartment. Who cared anyway? A plastic bag from somebody’s takeout lunch flapped noisily in the drizzle.

I offered her a swig from the jug of hooch I keep on the nightstand. She didn’t want it. I didn’t either.

“Why are you mean to me?” she asked.

“I’m mean to everybody,” I said, scratching my cubic hair. “It’s nothing personal.”

She rolled over to face me. “Why are you mean to everybody?”

“This world doesn’t give you a choice. You let people in, you end up at the bottom of a pit. You hold people back, you buy yourself some time before you end up at the bottom of a pit.”

“Are you really as cynical as you sound?”

I rolled over to her. “What is it with you? You come all the way from God knows where, but it’s obviously not here. You walk into my office with a little yarn about being marked for death, only you don’t know anything about it. But I’ve seen what people look like when they know they’re going to die, and they’re not all doe eyes and finger twiddles. I say to hell with you and leave to do some real work, but you don’t let it go. Fine. You follow me into a restaurant. Fine. You sit down with me and give me a mouthful of guff about not taking you seriously. So whatever it is, it sure as hell isn’t death you’re worried about, but it’s something serious enough, or something you think is serious enough, that you can’t let it go.”

“I think you’re being very rude,” she said. I raised a hand.

“Hold on a minute. I’m not through. You’ve had days to say whatever you pleased. You didn’t do it. Now it’s my turn.”

She puffed a little bit like I knew she would. If she didn’t regret planing me before she sure as hell did now.

“So you get up and leave the restaurant when me and Columns start horsing off. Can’t hold that against you. That’s a damn rotten thing to do when a body’s so warm. Only this time you’re the one to get up and leave. Not me. I was happy to talk. That clinched it for me. I saw then how real fear of death made you feel. It was a lot different from whatever syrup you were spilling all over my office.”

It would have been nice to see what was happening in her eyes, but she kept them closed.

“The bodies are still piling up. I don’t like it. You keep turning up when I least expect you. I don’t like that either. You also did a damn fine job of knowing what car I drive and where I live, even though I make a habit of sharing that information with nobody. So what do you say you finally start talking, and put both of our minds at ease?”

“Frank,” she said.

“Talk.”

She stood up. She looked around for a little bit and I thought she was trying to find her clothes in the dark, slipping away before I tried some non-verbal ways of making her talk. But she went down and came back up with two cigarettes and a match. She lit them both. I didn’t want mine, but if it got her talking I was happy to hold it while it burned. After she blew a few drags out the window, she opened up.

“Are you religious, Mr. Tetris?”

“Not really. Took some classes as a kid. Grew out of it once I had a brain of my own.”

She ignored me. I guess the question was rhetorical. “It’s…you know the old sacred texts. I know they can seem a little silly now, but you do have to realize that it was written for a different time. A different…culture.”

“My culture.”

“That’s right.”

“It’s a fairy tale. If you read that nonsense and it helps you live a better life, that’s great. If it doesn’t, that’s fine by me too. But if it’s giving you nightmares, sleep with the light on. It can’t hurt you more than any other hogwash.”

“I know it was before your time. It was well before mine, too. But I thought…as…as a…”

I helped her again. “As a square.”

She blushed. Looked away, then looked right back. She wasn’t doing much more with her cigarette than I was with mine. “Yes,” she said. “I asked around. I wanted to find one with a…reputation. Someone who did a lot of thinking. Maybe not all pleasant thinking, but someone with the kind of mind that could solve problems.”

“And because your problem is some mumbo jumbo you read in some scripture, you figured pitching me a murder was the better way to get my attention.”

Now she really blushed. “I’ve felt guilty ever since.”

“Wow,” I said. “You’re really not from Tetramino City.”

“I hope you aren’t angry.”

“Why would I be angry? I still don’t know what the hell you want from me. Tell me and then maybe I’ll get angry.”

“I know you’re skeptical, but I was there. I know what I saw.”

“You had a vision.”

“My family was very religious. I was never a very spiritual person, but I’d been to church a few times. I know the gists of the major stories. Seen the films on television. The point. The line.”

“The sphere.”

“It all sounds very fanciful, I know. Believe me. I was there once, too. But true or not, and I’m not arguing that it is true, it still makes an interesting point.”

Now I did want some of that hooch. She still didn’t. I helped myself.

“The idea,” she said, “that a higher power could exist. Someone, or something…that can see us. That can perceive us. And yet, we can’t perceive them. What would they see, Mr. Tetris? You live in this city. What would somebody see, staring down at us from some inconceivable angle?”

She blinked at me.

“What would you see?”

I told her it doesn’t matter what I saw or what I thought. This whole thing might be a gas for some college students to sit around arguing about, but here in the real world daydreaming didn’t do you a whole lot of good.

“But it wasn’t a daydream,” she said. “I saw it.”

“What did you see, exactly?”

“Well,” she said. Of course whatever it was it had to start with well. “I don’t know exactly. That’s…what I was hoping to talk to you about. You’ve…been around longer than I have. And as a…as a square…”

“You thought I’d have some insight. Sure. But I already shared it and it’s not what you wanted to hear.”

“Something was in that room with me, Mr. Tetris. I was in bed. Reading. And I saw it. Something big and pink. It wasn’t there before. I climbed out of bed, and I touched it. I didn’t want to, because I didn’t know what it was. But I…I had to know I wasn’t crazy.”

“What did it feel like?”

“A…like a balloon stuffed with cotton, maybe. It was soft, but firm. Leathery. When I got closer, I saw that there were hairs growing out of it.”

“Sure sounds like a daydream to me.”

“I know it does. But I touched it. And when I did, it jerked back, like it wasn’t expecting me. And then, just as quickly, it was gone.” She looked at the cigarette burning in her hand, like she forgot what she was supposed to do with it. “I believe it was a finger, Mr. Tetris.”

“The finger of God?”

“The finger of something. Maybe God. But something large. Many times larger than you, or even me. But also something on a completely different plane. One that we can’t even imagine.”

“You fell asleep reading the writings of that hallucinating square and had a vivid dream about it. That’s the story, sis.”

She shook her head. “There’s something out there.”

“That garbage was written a long time ago. Completely different world from where we are today. They’re worried about colors. I’m worried about pushers and pimps and kidnappers. Do you have any idea how far everything’s come since then? Those Flatlanders wouldn’t recognize us. That was before people even learned how to move along more than two axes. You pull somebody out from that time and stick them here and they’d drop dead of a heart attack. This all looks like witchcraft to them. This all looks like God. You’re living in the days of miracles. You don’t need creatures sticking their hands in from other dimensions for that. The miracle is all around you. It’s the miracle of a society in decay. The miracle of a world coming to regret that it got everything it ever asked for.”

“I didn’t know,” she said, “that there would really be death.”

I have to admit, that shut me up. I took another swig and held in my mouth, waiting for her to go on.

“I really did make that part up. I wanted your attention. But now I think it’s really happening.”

I swallowed. I did it slowly. I needed a little bit of time to get my words straight. “What’s really happening here, Irene?”

“Can you take me to the pit?” she asked.

“If you tell me what you’re hoping to see.”

“I’m not hoping to see anything,” she said. “I’m hoping you will.”

Chapter Eight

Whatever she wanted me to see, I didn’t want to stand in the cold rain figuring it out. Good for me, then, because when I finally got a chance to think about it, I had a roof over my head. Sure wish it wasn’t the roof of a jail cell, though.

“Hey,” I called to the cop standing guard. “What time’s the continental breakfast?”

He didn’t say anything. I didn’t expect him to.

What happened at the pit threw both me and Irene off our games. She wanted me to see something. Then we both saw something we didn’t expect to see. Another two bodies were on the pile. And just like the others there wasn’t a gap between them. The corpses were slotted together perfectly. This wasn’t chance. Whoever we were dealing with was a methodical son of a bitch.

“You didn’t tell me there were more,” she said. The oily drizzle came down. In the dark it was harder to climb down into the pit. The fact that most of the dirt was now mud didn’t help either. Irene took a tumble. I tried to help her up and she pulled me down with her. Story of my life.

“I didn’t know there were more,” I said. “Okay. Tell me what you want to tell me and let’s get out of here. Columns needs to see this.”

“Doesn’t he know?” she asked.

“I doubt it. They still have their wallets.”

Irene was quiet. She took a few steps toward the stack. Five bodies. On top of each other. Next to each other. Between each other. Heads and legs and torsos and heads and legs and torsos, all fit together like the jigsaw from hell. I didn’t know what she meant to get at, or how any of this tied into a vision she was sure she had, but that’s not what bothered me. What bothered me was that work like this, work so cold, calculated, and anonymous, did a real number on my understanding of the world I lived in. I’ve seen shit that would send even a thick-headed tank like Columns crying home to his mother. But this, whatever it was, was evidence that however bad I knew the world could be, there was a hell of a lot more that I didn’t know. Didn’t want to know. But had to know. I let the puzzle bobble around in my head for a while, and then Irene spoke.

“My first impulse,” she said finally, “was to wonder why God Himself would be poking a finger into my bedroom. Was I chosen? For what? Why me?”

She shook her head. I watched her do it. Watched the dirty rain plaster her hair to her faceplate.

“That didn’t last long. I’ve never been under any illusion that I have more to offer than anyone else. Certainly not more to offer God. And then I realized, He wasn’t looking for me. In fact, He hadn’t expected to find me there. When I touched Him, He pulled away.”

“So…what? The Good Lord Almighty got lost playing Pin the Tailplate on the Donkey?”

“Whatever it was, it didn’t expect me. That’s all I’m saying. It had some…some purpose. And whatever it was, it didn’t expect resistance. Even the mild kind of resistance we call curiosity.”

“It didn’t want you,” I said.

“I don’t know if it wanted anyone. At least, nobody specific. It wanted shapes. Body types.”

“Now why,” I asked her, “would it want body types?”

She extended her own finger, and indicated the wet, stinking pile of bodies stacked up against the wall of a landfill. “That’s why.”

And then, as we watched, another body fell. The sky was dark enough and the rain reflected enough moonlight that we couldn’t make out a damned thing up at the rim of the pit, but we saw the falling body clearly enough.

It was what some of the ruder kids called a zigzag. The same body type as my great friend Sgt. Columns, only reversed. I didn’t recognize him. Couldn’t tell you his name. Not that it mattered, if what Irene said was true. This poor bastard was only a shape.

We stood, watching that body fall. We were transfixed. And then I had to look at her to make sure my mind wasn’t playing tricks on me. She did the same, so I know that if we were hallucinating, we were at least hallucinating the same thing.

The body turned.

It didn’t tumble. It didn’t strike a stone and go careening off in another direction like some kid’s misjudged marble.

No. It rotated, right where it was. It hung there. It rotated. And then it rotated back.

That knot in my throat was working overtime. Then the body moved. Horizontally. It kept falling, but it shifted all the way to the right. Then it moved slightly left. One last time it rotated, and at last it was wedged perfectly into the bodies that were already there.

“I don’t know what I just saw, sister,” I said, “but we’ve got to get out of here.”

“Is it…?”

“Doll, I can’t answer any questions that begin with ‘is it’ right now. Get the hell out of this pit while you still can.”

I hustled her up the slope. You can imagine how that went. Mud, dark, incline, haste, you do the geometry. But we did get out, and aside from even more filth on our clothes and faceplates, we weren’t too much worse for the wear.

At first I was surprised that I could see her so well. It was dark, then, in a flash, I saw just how much of a mess she was. I looked down and saw that I was no better. I opened my mouth to ask her if she was alright, but it was Sgt. Columns’ voice that I heard.

“Hands up, Tetris.”

He was standing between two pairs of silhouettes. Also cops. Of course. The headlights from his squad car blinded me. “God dammit, Chuck,” I growled. “You picked a good time to start up a game of cops and robbers, but you’re playing it with the wrong guy. You’ve got fresh bodies down there, you dumb bastard.”

He nodded toward me. One of his men came at me with handcuffs. I thought for a moment about fighting him off. I was sure I could do it. But somehow I didn’t think that would help my case.

When my wrists were secure, Columns came over to me. “I know that. We didn’t know where the killings were happening, but we definitely knew where the bodies ended up. So we figured we’d do a little stakeout, and what do you know. Frank Tetris.”

He walked slowly in circles around me. He was damned proud of himself, that’s for sure.

“It all fits together. Little boy disappears, turns up dead. Who’s looking for him? Frank Tetris. Cop turns up dead. Who had just given him guff about his photography skills? Frank Tetris. Two new bodies dumped sometime today. Who takes his date on a romantic stroll to admire them? Frank Tetris. That’s a whole lot of coincidence, wouldn’t you say?”

“I don’t know. I have so many other things to say to you that I’m afraid I’d never get around to it.”

“Take him away,” he told his men.

They did. As the car pulled away I saw Irene. I couldn’t make out much in the darkness but Columns was talking to her. That couldn’t be a good thing, but I hoped for her sake that that was as bad as it got.

“Do me a favor, boys,” I said to whatever two bozos he’d dispatched to haul me off to the hoosegow. “Tell your boss there’s three fresh bodies down there. Not two. We watched one slide down from the top. Tell him he could have seen it, too, as well as the actual murderer tossing him down, if he hadn’t been busy staring at my tailplate, licking his chops.”

They didn’t say anything. I didn’t expect them to.

So I spent that night in a cell. Could have been worse, I guess. There could have been more urine on the floor.

I didn’t feel much like sleeping. I knew it would make the morning come sooner, but I didn’t see any reason to think tomorrow was going to be any better than today.

I sat on the cot. It was almost as comfortable as a box of gravel. I let my mind wander. I thought, finally thought, about everything Irene had said. And about everything I had seen.

Was it really that strange? Her vision. If that’s what it was. Finger of God poking into your bedroom, retracting in some direction you can’t even fathom when you give it a tickle. I looked up at the ceiling of the cell. Yeah, it was strange alright. I certainly couldn’t imagine a holy digit poking through there. But at the same time, what did I see in that pit?

I’ve never been much of a scholar. I don’t think there’s a point. The more time you spend with your nose in a book the less time you spend in the real world. But I know some rough truths of physics. What goes up must come down. Equal and opposite reactions. Any schoolboy could run circles around me if I had to tell you why any of that was true, but as long as I knew it that was enough for me.

What I saw in that pit, though, was not physics. That was something else entirely. That was some kind of law, or set of laws, that have no resemblance to any reality I knew.

Something falls. Fine. I’ve seen that before. But for that thing to rotate one way, and then rotate the other way, while falling, as though being acted upon by two completely different and yet unquestionably related forces, that was impossible. I saw it, and I still knew it was impossible. So what that meant was that I had just seen the impossible.

And to see it glide right, and then back left, and then tuck itself into, or be tucked into, position with the rest of the bodies? These aren’t tricks of the light. Whatever they are, they make the holy pointer of God look like a visit from grandma.

It hit me then. The connection. The finger. And the bodies. Maybe it was the lack of sleep. Maybe it was the hooch and cigarette smoke and greasy mud that had made their way into me throughout the day. But whatever it was, my perspective shifted, and I saw it. I saw the bodies. I saw the falling shape. I saw it move and rotate and fit. It was all deliberate.

It wasn’t easy to keep the vision in place. Perspective kept shifting back to my own, some poor putz in the rain at the bottom of a trash pit. But I could just about visualize it from another perspective. From a flat perspective. From a perspective in which this wasn’t a world, but a kind of evolving riddle to be solved. A series of locks built of the same materials that would serve as the key. To you and I, those are bodies. To someone detached, and in control, those are objects.

I pictured it happening against flat black. Nothingness. Because nothing else mattered. Delaney wasn’t a junkie. Quarth wasn’t a new recruit. That latest body wasn’t a husband, a father, or a son.

No.

With enough distance, they were only shapes.

I was only a shape.

Irene Barre was only a shape. That’s what she was trying to tell me. Her vision didn’t make her a prophet. It made her a tool. She might not have expected death when she sought me out originally, but once she knew what was happening, the pieces slid into place.

She understood. Hers was a rare shape. Too rare, if you ask me. And she was on borrowed time.

Whatever goal this otherworldly interloper had in mind, it seemed like he’d have to fit an awful lot of corpses together to accomplish it. Sooner or later, she would be one of them. Maybe even the most important one.

I had to find her.

Chapter Nine

I don’t know if I was awake all night or if I dreamed that I was awake all night, but either way I was so exhausted that it took me at least a minute to realize that someone was passing me a meal through the slot in the door. I took it, but I didn’t eat it. I called back that I needed to see Columns, but the son of a bitch just walked away.

Irene was in danger. Maybe not the danger she expected at first, but it was certainly a danger she expected now. She trusted me, for whatever reason, and I couldn’t do a damned thing to help.

I paced. I called out for somebody to get their ass over here and listen to me. Hours passed. I kept seeing her faceplate-down in the mud. Dead. Another shape to be slipped into place. I yelled myself hoarse.

When somebody did finally come to the cell, it was Columns himself. He was unshaven, and it looked like he’d slept in his uniform. Seeing the state he was in made me acutely aware of how mine couldn’t have been any better.

“It’s about damned time,” I told him.

He didn’t answer me. He opened the cell door. I thought about giving him a knuckle to the cheesebox, but I didn’t. Whatever he’d been through last night was clearly bad enough.

“What the hell’s going on here, Columns?”

He took me by the elbow, not exactly roughly, and walked me into a small room. He flicked the light on. It was a broom closet. “I’m sorry,” he said, softly.

“For what? For taking me into custody for murders you know damned well I didn’t commit, locking me in a cell without a working commode, and leaving me to rot while an innocent woman is out there in that shitstorm without anyone to protect her? What’s any of that between friends?”

“We can go into that later,” he said. Even though there was a hell of a lot of “that” that he could have meant. “I said it last night and I stand by it…that’s a lot of coincidence. I didn’t really think you did it, but what was I supposed to do? You’re a private eye. If you’re snooping on your own and I need to throw a scare into you to find out what you know, sue me.”

“You could have just asked, Columns.”

“Absolutely. Fresh bodies tossed into a pit in the middle of the night, I see a guy climbing out of that pit covered in mud, he says he’s innocent and I say fine? Sleep tight? This is a killing spree, Tetris. It’s no time to put everybody on the honor system.”

“So, what? Why are we in this closet?”

He handed me a sheet of paper. I didn’t need to unfold it.

“This,” I said. “This is a picture of you, isn’t it?”

Columns nodded. He leaned against the wall. I figured I might as well confirm what I already knew. Sure enough, it was him. NEXT.

“When did you get this?”

“Last night,” he said. “Sometime. It was there when I got home. And that’s not all.”

He closed his eyes.

“This,” he said, putting forth genuine effort to make it through the sentence, “is happening everywhere.”

“What? What’s happening everywhere?”

His eyes were still closed. His color was fading. I grabbed him by the front of his uniform.

“Talk you son of a bitch. What’s happening everywhere? What the hell is this, Columns?”

“I don’t know,” he said, shaking his head. “Cities. Towns. People disappearing. Piling up. It’s spreading fast.”

“What’s spreading fast? What is?”

His arm twitched. Barely. I think he meant to gesture toward something, then couldn’t think of what it should be. “Whatever this is. Whatever’s happening here, it’s catching on.”

This was bad news. If this kind of thing was happening all over the world, bodies being slotted together as some sick fuck’s idea of sport, then this was even worse than I thought. I pushed him aside and scrambled out the door. I shouldn’t have done it, but Columns is a thick guy. He had a gun. He had training. That didn’t mean he’d stand a hamster’s chance in a microwave, but it certainly gave him a better shot than Irene had.

One of the boys tried to stop me as I ran out of the station. I said, “One way or another, I’m getting through that door. Either that’s because I knock your block off or because you decide to do the smart thing and help Columns out of that broom closet.”

He thought about that one for all of half a second. I called after him to keep an eye on the guy. A good eye. Eyes round the clock.

Columns was a real piece of shit. But even real pieces of shit deserve some respect. After all, they’ve had to watch this civilization crumble. Same as everyone else.

Chapter Ten

I went home. She wasn’t there. I stopped by Pollo Pollo. She wasn’t there either. I asked for a coffee to go. They took too long making it, so I left. I thought about letting them know. Letting all of them know. But even if they believed me, what could they do?

Hell, what could I do?

It was pretty good luck that I found her at my office, because that was the last place I could even guess to look. She was behind my desk. She had a cigarette going, and Junior Plank’s history book was open in front of her.

“He knew,” she said.

“Knew what?”

“As much as us, I guess.”

“A whole lot of nothing,” I said. “And not enough to keep anybody alive.”

The book was open to a page about that loopy old square’s writings. The ones Irene and I had discussed last night. One day something’s sacred, the next it merits a page in some kid’s textbook, if it’s lucky. From strict doctrine to multiple choice question. It might be a better fate to be forgotten entirely than to end up trivialized.

The lines in the margin that meant nothing to me then meant a lot more to me now. Junior was working something out in his head, trying to bring it into the light and maybe get some kind of handle on it. These weren’t empty-headed doodles. These were bodies.

“Let’s go,” I told her. “We’re getting out of here.”

“You’ve had a vision, too.”

“Sure,” I said. “Forces beyond our control, whatever they are. We can’t fight them. We can’t even escape them.”

She stubbed her cigarette out on my desk. Who cared? Neither of us would ever see it again. “Then why run?”

“Because if I’m going to die, sister, I’m not doing it in this shithole. And you ain’t either.”

I pulled a suitcase out of the closet. I had it pre-packed for emergencies. There wasn’t much in there. A few shirts, clean sport-jacket. Pair of pants I may or may not have outgirthed by now. Some cash. A bottle of the only friend I’ve ever had. And a filthy foreign porno mag called Zoop. A little embarrassing, but I never imagined I’d be with anybody when I opened it up.

“Get your coat,” I said.

She did. I watched her wriggle into it. I wondered how long she had left. I wondered how long I had left. “It’s me. Isn’t it?”

“I don’t know, baby. What whatever he’s doing, he doesn’t have a long, tall Sally like you yet. And I wouldn’t be surprised if he’s saving a place of honor.”

She said she was scared. I said that was good, because it meant she still had a future to be worried about.

We got in the car and drove. We didn’t say anything. We had to pass the pit. The mass grave. There were people standing around it now. Lots of them. The cops tried to hold them back. Reporters tried to push through. Columns wasn’t there. At least not that I saw. I started to miss him, for some lame-brained reason I’ll never figure out.

She didn’t ask where we were going. Maybe it’s because she thought it didn’t matter. I felt exactly the opposite.

On the way I stopped for gas. Told the kid to fill the tank. Finally got myself that cup of coffee while we were there. I got her one too. She didn’t drink it. That was fine. If she’d rather sleep I couldn’t blame her.

She passed out after another hour. I didn’t turn the radio on. For starters I didn’t want to wake her up. More importantly I didn’t want to hear what any of those clowns on the airwaves had to say about it. The last thing any man should have to endure during the end of the world was listen to a pack of morons trying to tell him what it all meant.

We got there well after sunset. It was dark. She didn’t wake up and I didn’t wake her. I set the car in park, shut off the engine, and covered her up with my coat. I reclined in my seat and caught some shut-eye myself. Or maybe it caught me. Either way, I wasn’t tossing and turning for long. My mind shut down and that was aces by me.

It was her hand that woke me. Her hand on my arm. I don’t know what time it was. The sun was up. I’d guess around ten, but time loses a lot of meaning when every hour might as well be your last.

She saw me open my eyes. “Where are we?”

“Nowhere,” I said. “And I really hope you like it.”

We got out of the car and walked along the beach. The sand was clean and white. There were no roads. No houses. No businesses. No companies. No sounds but the sounds of the tides and the gulls.

The sky was a lighter blue than I remembered it being. The beach was longer. Wider.

This was it. I sat down in the sand. It was warm. It was comforting. She sat down next to me.

“There’s nothing around for miles,” I told her. “I always figured they’d eventually get around to developing the place, but I doubt there’s time now.”

She agreed without saying or doing anything.

“This is it. The last unspoiled place in the whole damned world as far as I’m concerned.”

The tides rolled. She watched them like she was watching a baby being born. I wondered if she’d ever seen tides before. At least tides that didn’t carry needles and old sweaters onto shore.

“Want to know how I found this place?”

She said, “No.”

I understood completely.

I’d picked up a few candy bars at the gas station. I passed her one. We ate quietly, listening to the waves. It was pretty peaceful. You’d never even know the world was ending.

Well into the afternoon we sat on that beach. At one point the sky clouded over and we got a little bit of rain. Sun showers, they called them. Or they used to.

We sat in the rain. It was gentle rain. Soft and refreshing. Clean. Some of it got in my eyes. It helped me see more clearly.

She said, “It’s beautiful.”

And she was right. That’s exactly what it was.

More time passed. It got to be late afternoon. We’d spent the entire day on that beach. Barely talking, but breathing a hell of a lot of fresh air. And then she asked, “What are you thinking about?”

“I’m thinking about whoever or whatever is doing all this. Or all that. Who’s taking the things that define life in this world, and rearranging them. Organizing them. Fixing them.”

She waited for me to get my thoughts together.

“This whole world’s gone to pot. Tetramino City was worst than most, but noplace really has room to talk. Violence. Hatred. Stupidity. We poison our own water. We complain if the schools try too hard to teach the kids. We let ourselves get sorted by shape and by income. Why? Isn’t this our world?”

“It is.”

“It was. And that’s what we did with it. Let it all fall apart so that we’d always have something to be miserable about.”

She laid her head in my lap. “What do you think he’s like?” she asked me. “The one…doing all of this.”

“Been thinking about that one too. And you know what, doll?”

“What?”

“I don’t have an answer. But whoever he is, he’s taking our world apart, piece by piece, and he’s fitting it snugly and perfectly into a landfill, where it belongs. He knows it’s beyond salvation.”

She looked up at me. Doe eyes. Real ones this time. “What about this, though?”

“What about what?”

“What about this beach?” she asked. “The water. This sand.”

“This quiet.”

She let herself hear nothing for a while. “Yes. The quiet. Isn’t this worth saving?”

But I’d already thought about that, too. “Sure, baby. To you and me. But look at where we came from. Look at what we left.”

She closed her eyes. I waited until she opened them again. It took a while, but that was okay.

“To you and me this looks pretty swell. But that’s perspective for you.”

I swallowed. It was easy. The knot in my throat was gone.

“To us, this is heaven. But to him out there, whoever’s controlling this, it probably doesn’t even register. It’s all just another piece of junk, and I’m okay with that.”

“Why are you okay with that?” she asked me. She wanted to know how she could be okay with that too.

“I’m okay with that,” I said, “because if something this beautiful to us can be nothing to him, imagine what a perfect world he must live in.”

She took a deep breath. Let it out slow. “That’s true,” she said.

“Really. Imagine it.”

And that’s where we stayed, secure in the knowledge that whoever was rearranging out world with his own unfathomable motives was coming from a place much better than we were. Neither Irene nor I were happy that it would take so many seemingly senseless deaths for all of this to work out, but at least ours we’d die in the only part of the world we’d be sorry to lose.

And maybe one day we’d meet again, she and I.

It wouldn’t be this world. Not exactly.

It would be an organized world. A world of structure. A world without gaps. A world without discord. A world without loose pieces of garbage.

A world to mirror the perfect world of our benefactor.

We deferred to his wisdom.