Fallout 4 and My Ethical Shitstorm

Graygarden Homestead

So, I finished Fallout 4 recently. There’s at least one more post I’ll be writing about it — also on the subject of ethics — but if you’re curious as to my opinion: it was pretty great. A bit of a mixed bag, as in some senses it represents Bethesda’s best work on the series, and in other senses it represents far and away their worst.

But there are plenty of discussions about the game’s quality going on right now, and I really don’t care to join them. I left game reviewing for a reason, not least because it allows me to actually have fun with games again. If they’re lousy but I still find them enjoyable, I can spend my time with them. If they’re technically great but not really up my alley, I’m free to ignore them.

In short, I can get back to what I like to play, and play it when I want to play it. That’s good, because I’ve read in some history books that video games used to be a source of fun for people. How nice to catch a glimpse of that distant past!

Anyway, one of the things that I’ve loved about the Fallout series, going all the way back to the first game, is the ethical wringer it puts you through. In fact, as much as I like to play a “good guy” character in those games, the first Fallout successfully stressed me into behaving badly. As the days counted down and I was running out of time to find a water chip, I found one in the ghoul town of Necropolis. But the residents there needed it to stay alive; their pump was broken. They offered to let me have the chip if I fixed the pump for them…

…which was something I couldn’t do. I could try to get my Repair skill higher or find the parts I needed, but I very likely wouldn’t live long enough to do so. My life, like the lives of everyone waiting for the water chip in Vault 13, was in danger now, and I didn’t have the time to spare.

So I stole their water chip and got the hell out of there. My problem became their problem, quite literally. I passed the hot potato and tried my best to forget that this ever happened. (The poor ghouls would have no such luxury of forgetting.)

Fallout 4, though, was pretty sadly free of ethical dilemmas. You always had the choice of who to kill or who not to kill, who to side with or who to side against, but those aren’t dilemmas; they’re just options. A true dilemma comes from something like my situation in Necropolis, when I could let one group of innocents stay alive, or sabotage their survival to keep a different group alive.

There’s no right answer. There’s a moral answer, but not necessarily a right one.

Toward the end of the game, though, Fallout 4 stranded me in a situation I didn’t expect. It may not even have been intentional, as I only ended up in it because I failed to talk my way into an alternate solution. But for the first and only time in the game, I felt genuinely conflicted. And I still do.

Spoilers follow, but they’re pretty minor ones. This is your warning.

Years ago I took The Moral Sense Test after reading about it in The Three-Pound Enigma. I recommend both the test and the book strongly.

In the years that it’s been refined since, the Moral Sense Test might be a lot different than I remember, but its objective was to place the test-taker in situations of increasingly complex ethical obligations, for the sake of studying their reactions.

For instance, in one situation you’d see a train about to crash into a boulder on the track. You’re operating the switchbox, and can throw to lever to cause the train to change tracks, missing the boulder and saving the lives of everyone on board.

Do you throw the switch?

Well, yes. Clearly you do. Ethically, that is your obligation.

So the test ramps up the complexity from there. Let’s say that if you throw that switch, the train will hit a cow on the other track. The lives of everyone on the train will be saved, but the cow will die.

Maybe the solution is still easy, so let’s say it’s not a cow, but a human child whose foot is caught in the tracks. Now do you throw the switch?

Let’s say it’s not a boulder, but it’s a group of 20 people. Throwing the switch saves them, but at the cost of the lives of the 10 people who are standing on the other track. Sure, 10 is fewer than 20, but can you ethically kill 10 people who would have been safe otherwise to save 20 who were naturally in danger?

…and things got even hazier from there. It was a great test. If you enjoy being driven insane, take it. (Oh, and you’d also be helping the researchers out a great deal, as well.)

Fallout 4, through a quirk, plopped me in the middle of a small-scale Moral Sense Test. And I still don’t know if I made the right decision.

At one point in the story, you discover an organization known as The Institute. Up until this point you’ve heard horror stories about them. You’ve seen the damage their technology has done. You’ve seen the fear in the faces of the people you meet. You’ve heard the rumors of The Institute’s enemies disappearing…and innocent people being replaced by robotic substitutes. Deliberately or not, The Institute has become emblematic of everything the residents of the Wasteland fear.

Then you find The Institute yourself, and you can hear them out. Their methods are flawed, certainly, but you may conclude that they’re also necessary. Many friends of mine played the game and chose to side with them, deciding that the ends justified the means, with The Institute being a terrible force that was still humanity’s best hope.

I didn’t decide that. I threw my hat in with The Railroad, a small, underground (literally) group of agents working to take The Institute down.

No real ethical issues here; just a choice. Do you think The Institute is humanity’s best hope? Side with them. Do you think it’s not? Side with The Railroad. Simple.*

I sided with The Railroad. And since I had visited The Institute and lived to talk about it, they had a great asset in me: I could work undercover. Whatever they needed done within Institute walls, I could come and go as I pleased. It was a win all around, so I kept doing quests on behalf of The Railroad, bringing The Institute down piece by piece. All I had to do was follow Railroad instructions while paying Institute lip service.

Again, a choice; not a dilemma.

Then, all at once, The Railroad had nothing for me to do. Or, to be more clear, they had plenty for me to do, but they had to bide their time. It was important that I stay in the good graces of The Institute, so they told me to keep working with it. That was my only mission; keep helping The Institute until I received further instructions.

It had to seem like I was siding with The Institute, which raised, gradually, the question of how long you can pretend to be something without becoming that something…a question of well-intentioned infiltration that Kurt Vonnegut explored beautifully in Mother Night.**

How thoroughly can you aid the Axis without becoming a villain yourself, even if you’re doing so in the name of the Allies? How is leaking intelligence to the good guys more important than the fact that you’re gathering it for the bad guys?

It’s a deep and impossible question to answer, even though it’s a fascinating one to explore.

My ethical dilemma came when The Institute asked me to track down a scientist it wished to draft for their cause. Easy enough, except that when I got there, there was a standoff in progress. The scientist was holed up in the destroyed shack you see above. Institute troops were there, ready to drag him off kicking and screaming.

Ethics check: is it worth forcing this innocent man into the hands of the enemy in order to stay in the enemy’s good graces? Is his happiness — and potentially his life — worth my chance to win this war?

To my mind, yes. It was worth it.

Sadly, it wasn’t that simple.

Another group known as The Minutemen showed up to protect the man from The Institute. The Minutemen were a small militia that existed because I helped it to exist. I built it. It was a defunct organization that I resurrected; a loose group of armed survivors who traveled the Wasteland, responding to calls of distress, and helping those who needed it the most.

My precious Railroad — my ethical compass — was far away in a basement somewhere. It was a choice only I could make, and I had to make it now. I could side with The Institute and not only drag this guy away but make enemies of The Minutemen, or I could side with The Minutemen, protect this guy, and make premature enemies of The Institute.

The game offered me a peaceful solution. It almost always does, if you can pass a speech challenge. Fortunately I’d built a character who was great at weaseling his way out of things, so I tried to convince the scientist to go peacefully with The Institute.

The speech challenge failed. He was terrified. He didn’t want to go, and The Minutemen were there to help him.

Then I tried to convince The Minutemen to stand down.

That speech challenge failed, too. My silver tongue meant nothing to them when compared to the terrified scientist’s screams for help.

There wasn’t another way out. I could fight The Institute’s troops, or I could fight The Minutemen. If I fought The Institute I’d kill a bunch of bad guys, but lose the chance to defeat them for good. If I fought The Minutemen I’d kill a bunch of good guys — the exact same good guys I’d inspired to become good guys — just to keep up appearances.

I had a robotic companion with me. Codsworth; one of only two characters in the game that remembers you from before the war. From before the world changed. From when you used to be another person entirely.

I tried everything to find another way out.

There was no other way out.

It was a standoff. There was going to be gunfire. I had to choose a side.

I pulled out my pistol and killed The Minutemen. They weren’t even hostile to me. Their names were in green, signifying that they were friendly. They saw me as an ally. And why wouldn’t they? I’d inspired them to fight for truth, justice, and the American way…and then I killed them because I had to keep up a lie.

A little notification appeared on the screen. “Codsworth hated that.”

I hated it, too, Codsworth. I still do.

The Institute dragged their scientist away to his new fate. At my feet were the bodies of good and brave men who died at my hand, for doing what I told them it was right to do.

I’ve played a lot of video games over the years, but never before had one made me feel so alone.

—–
* There are other factions to choose from, so I’m deliberately simplifying things here, but, ultimately, the choice is to side with or against The Institute. The other factions all take an oppositional role.

** Read it if you haven’t. It’s Vonnegut’s best, and one of my favorites.

It’s Just Another Year

New Year

It’s just another year. 2015, 2016, 2014. What’s the difference, really?

Probably nothing. It happens. December 31 is one day, January 1 is the next day. There’s no significance aside from whatever we decide to give it.

Big deal.

But…here we are. Celebrating — or at least acknowledging — it anyway. And it’s difficult to resist looking back at what the previous year has been. People say it’s better to look ahead to the next. It probably is. That doesn’t really change anything; nobody knows how things will work out.

2015, if you’d like to know, was one of the most difficult I’ve ever had. I try hard not to turn this into a personal blog, and, largely, I succeed at that. There’s no reason to keep that stuff out of here — it’s my site, after all — but I like the fact that I can turn to Noiseless Chatter as an escape. As something apart from whatever else it is I’m dealing with at the time…even if I inevitably have to go back to it.

A new year is a new year. It means nothing and feels like it should mean everything. When 2015 started, I was in probably the best situation I’ve ever been in. About halfway through, that changed, and I was probably in the worst. Month to month, week to week, day to day, you never really know what to expect. A few years back I made all the wrong decisions and ended up in a very bad place. No surprise there. This year I made all the right ones…and ended up in a very bad place anyway.

What’s the moral? What’s the lesson? Why bother? Isn’t it easier to be a shit? A miser? A pain in the ass? If you end up in the same place…why do it the hard way? Why put your trust in people? Why hope for anything? Why work for anything?

It’s all fleeting. At best you find what you wanted and keep it until you die. More likely you don’t hold onto it that long, or don’t find it at all. In the end, does it matter?

Of course it matters.

Of course it matters, and it matters because you don’t know how things will work out. I started last year high, found myself low. But you know what? I ended it in a good place again. Just as things can pivot and change for the worst tomorrow, they can pivot again the day after that.

Everybody’s going to experience their ups and downs. Bad things will happen to good people and good things will happen to bad people. So why bother being good? Because when you’re good, you deserve those good things. And when you’re good and bad things happen to you, people will be there to help. That’s the difference. It’s not karma or any kind of cosmic balance that’s gone askew. It’s life. And you’re going to go through the worst things imaginable, no matter who you are. The difference is that if you’re good, people will be there to help you through those times. And if you’re good, you’ll be there to help them as well.

This year won’t be any easier than the last. It might even be a little harder, for all of us. We’re all older. Our metabolism is slowing down. We’re closer to grey hair, or no hair. We’re closer to death.

2015 is over, and none of us are getting it back. If we had a shit year and want to try again, too bad. If we had a great year, too bad. It’s gone.

Do something this year.

I don’t care what it is. Nobody but you should care what it is. Do something.

If it costs money, spend the money. If it costs time, invest the time. Because this is it. Whatever amount of time you have left on this planet, it’s decreasing. That arrow only points in one direction.

Figure it out. There’s something that will make you happy. What is it? What’s stopping you from getting there? Figure it out. Now. Do it. There will never be a better time. There will be less time, but never a better time.

We live in a scary world. We live in a confusing world. Above all, we live in a world that has no interest in our personal definitions of fairness.

Figure out what you want to do, and do it. Do it for you. Nobody else in the world is going to do it for you, so do it for yourself.

Maybe the thing you need is really getting rid of something else you don’t need. Something holding you back or breaking your spirit or slowing you down. Maybe getting rid of that thing will hurt somebody you don’t want to hurt. Maybe that’s still for the best.

One day you’ll die, and that’ll be it. The things you did are the things you did, and the things you didn’t do you will never do. If you died tomorrow, would you be satisfied? Why not? What haven’t you done? Why aren’t you doing it? How can you get to the point that you’re doing it?

Do it. One day you will die, and the odds are good that it won’t be on your own terms. It won’t be when you’re ready. It won’t wait for you to get around to that thing you’ve always meant to get around to.

There’s something out there that you want. Go get it. If it’s not something that will impress anyone else, or is important to anyone else, good news: it’s your life. You’re doing it for you.

Do it for you.

It’s just another year. 2016, 2017, 2015. What’s the difference, really?

Probably nothing. It happens. December 31 is one day, January 1 is the next day. There’s no significance aside from whatever we decide to give it.

So give it some significance. New Year’s Day is, if nothing else, a very useful reminder of how quickly an entire year of your life slipped away.

Make it a big deal.

ALF Reviews: “Happy Together” (season 4, episode 11)

So little happens on this show, which I’m sure you know. What you may not know is that this sometimes works in its favor. After all, when ALF might as well be 23 minutes of static, every minor disruption to what we’re expecting is interesting by default.

That’s why background details like a singed curtain or a new shirt on Mr. Ochmonek register. That’s why acting from a competent guest star stands out. That’s why silly jokes — like Jim J. Bullock raising his hand last week — feel like they’re better than they really are.

ALF has cemented such a baseline level of laziness that literally anything that has thought invested in it shines. That’s why the moment I started this episode, and saw the scene above, I started paying attention.

Who are these guys on the couch? They’re in nice suits. Are they the FBI? They seem to be watching something on television. Is it surreptitious footage of ALF raping something in the back yard? Are the Tanners well and truly caught?

…probably not, because we still have 13 episodes to go, and sitcoms around this time weren’t very serialized. But the answer doesn’t matter as much as the fact that the question — a question — is being asked by the very first frame.

Whoever these guys turn out to be, and whatever it turns out they’re doing, is almost insignificant in the face of the fact that they’re somebody and they’re doing something. It could turn out that they’re crack-induced manifestations of Willie’s personal angel and devil for all I care. My point is that I’m watching ALF and for once, something is happening…even if I don’t know what it is. (Do you, Mr. Jones?)

It turns out they’re representatives from a timeshare company. ALF called them for some reason and Willie and Kate are just patiently sitting through their promotional video. When it ends one of the salesmen pulls a pen out of his pocket and Kate says, in one of the show’s long line of perfect Anne Schedeen readings, “Harry. Put the pen away.”

Then Willie goes into the kitchen to hatefuck ALF and that’s about it for the opening scene. But, you know what? Something happened. I started watching an episode of ALF, found myself unsure of what was happening, and I ended up paying attention. We got a nice little anti-punchline from Kate and…well, that’s about all that’s worth mentioning, but I was interested.

It didn’t take much. Just some kind of unexpected setup, and a little bit of thought given to an answer.

Any writer worth his or her salt does this without thinking. For the staff of ALF you can almost feel the strain. But you know what?

Good on them. Yes, they probably broke their backs to do what talented writers do naturally, but they got my attention. And, what’s more, they didn’t entirely waste it. (They only wasted most of it.)

Credit where it’s due: good on them.

ALF, "Happy Together"

This week, the part of Willie Tanner will be played by Popeye the Sailor Man.

We find out that ALF has been inviting all manner of salesmen into the house, with the implication being that he thinks he’ll win some kind of prize. It’s…hard to explain, but I do seem to remember a lot of sales techniques exploiting that gimmick in the past, and I’m pretty sure it still happens at car dealerships at least.

As best as I can tell, you need to commit to sitting through some kind of sales pitch, after which you’re entered into a drawing for some prize or other. (ALF alludes to a new car and a vacation package.) Willie makes the point that nobody actually wins those drawings, and while I’m sure he’s right I don’t know how they actually get away with that.

Presumably there’s some kind of loophole exploited, as you can’t legally promise that someone will be entered into a drawing that doesn’t exist. (Well, scratch that…you probably could, but a business could not.) Maybe the companies just choose someone who conveniently forgot to fill out their contact information, so the prize can’t actually be given away.

I have no idea, but ALF has been on this planet for three years and one week, and has worked as a salseman himself, so he should be slightly savvier when it comes to this shit. Instead he’s still misunderstanding the things he was misunderstanding on day one.

To the family’s credit, they’re pretty pissed off at him. They don’t say that he should know better by now, but at least their reaction is understandable.

ALF, "Happy Together"

…until it suddenly isn’t.

Willie sends ALF to the attic, but ALF says, defiantly, “No.”

And he makes a big speech about how unfair it is to live in this house, and he’s leaving. At which point everyone shifts into quietly mocking his decision.

So…a few points. The quickest is just this reminder: this is the umpteenth time this season we’ve been teased with the idea of ALF starting a new life without the Tanners. And, just in case you don’t know by now, this season indeed ends with ALF attempting just that. Should the show have progressed to its expected season five, the Tanners would have been written out, with the setting shifting to the Alien Task Force Base, where ALF is held captive. Presumably he’d be forced to watch cheesy movies and riff on them with some sleepy guy and another puppet…but we’ll never know, because ALF was cancelled between the end of season four and the production of season five.

Therefore all of this “Screw you guys; I’m going home” stuff is likely deliberate foreshadowing. I’ve lost track of how many times this season ALF’s new Tannerless life has been alluded to, but I’m sure it’s at least five. That’s about once every other episode, so I’m fairly convinced it’s deliberate.

Now, my other point:

Fuck this fuckass fuck.

He keeps inviting salesmen over. Even if he somehow didn’t learn not to do this within the past three years, he should certainly have learned it just in the episode so far, since we’re told he keeps doing it against Willie’s wishes. Willie sends him to his room — a very minor punishment — and ALF rebels, turns on the “poor, poor pitiful me” routine, and heads out to lay his head on the railroad tracks and wait for the Double E.

And…fine. Okay. ALF is ALF. I get it by this point.

But moments like this make me wish there was a human being somewhere in this cast, because this dude really needs a spanking. Instead of smirking and saying, “Oh, you…” they should be grabbing him by the shoulders and saying, “What the fuck is your problem?”

ALF’s got a sweet setup here. He’s spoiled, if anything. He knowingly defies Willie’s requests to stop inviting salesmen over, and then flips out when he receives the mildest punishment available to the human race.

Somebody needs to smack him across the face, because he doesn’t seem to realize what the situation actually is, that he has no right to be offended by it, and that this is the best things will ever be. (That holds true for both ALF and for ALF; yes, Paul Fusco could probably do with a good smack as well.)

Instead they all immediately react to ALF’s pity party and seem to forget that he was being punished at all.

But hey, of course they did. That was on the previous page of the script; we’re on this page now, so forget all that other shit.

ALF, "Happy Together"

ALF leaves, and the Tanners demonstrate just how little that bothers them at this point. Remember when he left in “Looking For Lucky,” and they combed all of LA on foot, asking everyone they met if they saw the super secret space alien that escaped from their house? Well, now they look out the kitchen window for a bit and call it a night.

I’m not even exaggerating; that’s all they do. In fact, Kate’s biggest concern here seems to be that the automatic sprinklers are going to turn on soon, and when ALF gets wet he smells like shit.

The episode doesn’t call attention to it, so I doubt much of it was deliberate, but…damn, their diminished lack of concern for ALF could have made for a great episode.

The show is winding down (which, okay, the writers don’t know…but they do know the Tanners are being wished to the cornfield), and ALF has learned nothing and continues to infuriate everybody. Why not make that the episode? We’re already pretty much there; ALF has misbehaved, refuses his fair punishment, and runs away instead. The Tanners realize that maybe they’re okay with him leaving, if that’s the way he’s going to be.

Have them — all of them — have to face that fact. That’s the conflict of your episode.

Whatever they hoped to get out of this alien concealment scheme of theirs, it’s not worth it. Willie’s going insane. Kate’s at the end of her wit’s end. There’s a new baby in the house. Lynn is starting her adult life. Brian has finally stopped drinking paint. The family should be at a kind of crossroads here, and ALF pulling this bullshit again, for the third year running, should force their hand to issue an ultimatum. He can either shape up — for real this time — or go fuck himself. For real this time. And if he chooses the latter, they’re realizing that they’d actually be okay with that.

That should have been the conflict for this episode. Instead…well…you’ll see what the actual conflict for this episode is.

I promise…it’s a doozy.

ALF, "Happy Together"

We see ALF hanging out by some trash cans, talking to himself. He’s basically moping because he knows that if he goes back, the Tanners won’t take him seriously the next time he threatens to walk out over petty nonsense and let them rebuild their lives.

Huh…when I write it out like that, it somehow sounds ridiculous.

I don’t know where this is supposed to take place. In a moment ALF leaves and then Willie pokes his head over the fence, so it’s not the Tanners’ yard.

I guess ALF is in the Ochmoneks’ yard? It’s tempting to assume that this is in front of the Tanner house, because that’s where people’s trash cans are often left out, but we’ve seen plenty of establishing shots of this house and there’s never been a fence out front. So…I have no idea.

Anyway, Willie just misses ALF. But then the sprinklers turn on and Willie gets wet, in an unexpected payoff to the setup 10 seconds ago when Kate said that that’s exactly what was going to happen.

ALF, "Happy Together"

Then there’s a scene that really gives away how badly the actors want to be done with this show. Kate says she’s worried about ALF, but Anne Schedeen can’t bring herself to show the proper concern. The “Put the pen away” delivery earlier on is important, because it shows she can still deliver a line when she cares about it. Here, though she should care about it, and claims to care about it, she clearly doesn’t care about it.

Willie then says he’s worried because ALF can’t keep out of trouble, and concludes, “He’s dead.”

But he says that with the smile we see above; the biggest, most convincing smile Max Wright’s ever smiled in his life.

We’re in an episode in which these two characters are supposed to be worried they’ll never see ALF again, while the actors themselves clearly never want to see ALF again. It’s a very interesting and odd viewing experience. And it concludes with Max Wright doing this:

ALF, "Happy Together"

Which is the international sign for “You literally could not pay me to give a fuck.”

ALF finds a new place to live with…

ALF, "Happy Together"

Mother of fuck! It’s Jim J. Bullock!

How did ALF get there? Nobody knows, nobody says, nobody asks. That’s just the state of the show right now.

Remember “For Your Eyes Only”? For ALF to visit Jodie, he had to secretly arrange it with Lynn, wear a disguise, and be immensely careful about every step he took. Remember “I’ve Got a New Attitude”? For ALF to visit Kate Sr., he had to box himself up and hire a courier to deliver him to her apartment.

Granted, one of those episodes was total garbage, but they both demonstrate a willingness on the part of the writing staff to answer a basic logistical question: if the alien can never be seen, but we need him somewhere else, how do we get him there?

“Happy Together” faces that some question, but just says fuck it. Granted, season three had ALF strut around town a few times, but in “Standing in the Shadows of Love” he was with Jake, who presumably helped him to stay unseen, and in “Suspicious Minds” the whole thing turned out to be a dream.

Here ALF, alone, wanders the neighborhood, finds Neal’s new apartment — where he’s never been before, mind you — and somehow makes it all the way inside, up to and through Neal’s door, which we see in the establishing shot is on the highest floor, without being spotted.

Is that possible? Sure.

But how did he do it?

The episode doesn’t care, and, for some reason, neither does Neal. He just shows his grandmother’s antique snowglobe to ALF so ALF can break it and the fake audience of dead people can yuk it up.

Jim J. Bullock shows more concern than anyone else in the episode when he’s sad about his heirloom being destroyed. And even then he’s only sad for two and a half seconds. Immediately after that he’s merrily making tea.

ALF, "Happy Together"

I can’t even blame Bullock for this. He’s told at the end of one page of his script to be devastated that his only memento of his grandmother is smashed on the floor, then at the top of the next page he’s making casual conversation with a naked mole rat. Yes, Bullock’s shift in performance is jarring…but how could it not be? They could have hired Jack Nicholson for this scene and it wouldn’t have been any better. There’s only so far this shitty writing can go. (For those wondering, it never gets cleaned up, either; the snowglobe remains smashed on the floor for the rest of sitcom eternity.)

Maybe I’m just especially frustrated because Neal and ALF reprise their conversation from the end of “The First Time I Ever Saw Your Face.” There and here, Neal tries desperately to get ALF to spit out some Melmac Facts. Which is, obviously, something most human beings would do when encountering a space alien that speaks English.

There I was frustrated that the writers didn’t bother to have ALF answer any of his questions, but it was just about excusable due to the fact that it was the final scene in the episode. A half hour block of television only lets you cover so much ground, and if the writers chose to focus their attention elsewhere — for better or for worse — so be it.

Now, though, we’re not even halfway through the episode. There’s plenty of time for these two assholes to have a discussion, and Neal tries to get one going. But ALF tells him nothing, because the writers didn’t want to think of anything.

Neal asks how far away Melmac was. ALF says he doesn’t know.

Neal asks which solar system it was in, and ALF says he doesn’t know that, either.

Which…fuck you, show. Yeah, it builds to a joke about how ALF majored in P.E., but come on. He was in the fucking Orbit Guard. He flew around in his own personal space ship. He was tasked with defending the planet (which…yeah, that explains a lot). But he doesn’t know what solar system he’s from? That’s like being a long haul trucker and not knowing what state you live in. I don’t care how dumb you are; whether it’s maps or star charts, if your job involves travel you know how to get the fuck home.

And regarding the distance from Earth, ALF traveled that distance himself. Personally. He can’t estimate it? Granted, I don’t know offhand how far Las Vegas is from my house, but because I made the journey I can say it was about an hour and a half by plane. I can provide some idea of the scale of the journey, and I can do that because it’s a trip I took. Just like you could give me some idea of how long it took you to get wherever you went last. ALF can’t provide any information at all.

Yeah, he’s a dumbass. But he’s not incapable of answering these questions. The writers just didn’t want to spend their time figuring stuff like this out, so they don’t.

I can’t imagine we missed much by being robbed of a season five. In it I assume all of the characters would have stood around shrugging at each other.

ALF, "Happy Together"

Willie comes over to get ALF, but ALF pretends that he doesn’t want to go home because Willie beats him. Ha! Wrongfully accusing family members of violent abuse. Classic, wholesome comedy for all.

Neal volunteers to keep ALF, because they’ve been having a “great time.” Even though we’ve seen all of the time they’ve spent together so far, and it’s involved ALF showing up unannounced, breaking an irreplaceable valuable, and refusing to answer basic questions about what the fuck he is. GREAT TIME SHITHEADS

There’s a decently nice moment when Willie agrees to let Neal keep him, and really harps on the fact that he should have a working fire extinguisher, but it’s nothing great. Maybe it would be funnier if Neal had little kids in the house, so Willie could warn him about ALF’s much more horrible hobbies.

ALF, "Happy Together"

After the commercial we see ALF talking to a phone sex operator. Classic, wholesome comedy for all.

He describes himself as tall with great abs, and she does that moany, giggly routine you saw in 976 commercials that aired after midnight.

This is at least the second overt reference to ALF furiously masturbating to phone sex lines, for those keen on reminding me that this is a children’s show.

ALF, "Happy Together"

Neal comes home and sees that the place is a wreck. ALF threw a bunch of shit around and smashed a window, covering the hole with a “Mino’s Pizza” box. Obviously they didn’t want to pay to use the Domino’s Pizza name, but then I wonder why they didn’t just use a generic pizza box instead. Or, ideally, one from Pizza Barge, which was already this show’s royalty-free pizza delivery place.

Part of me is hoping there’s a whole backstory about a passionate pizza chef named Dom Mino who is sick of his restaurant being constantly mistaken for that shitty chain. All of me would rather watch that show.

Neal politely asks ALF why he didn’t clean up the way he promised to, or call the electrician like he promised to, or clean the cum out of the toothpaste like he promised to, and ALF tells him to eat a dick.

Then the doorbell rings, and Neal tells ALF, “Quick, go to the bathroom.”

That’s funny, because Neal doesn’t have a kitchen the way the Tanners do, so the hiding room in this apartment makes for some decent wordplay.

But then ALF says, “Okay!” and makes a face and shudders to suggest that he’s voiding his bowels on the carpet.

…fucking really, ALF?

ALF, "Happy Together"

It’s Neal’s boss at the door, some black lady we will clearly never see again. She chews him out for being a shitty handyman, and I get the sense that we’re supposed to see ALF as the cause of this crap. Yes, the call to the electrician was for another tenant, but she says there have been complaints all throughout the building about sinks and toilets not working as well…and I don’t think we can really blame ALF for that. He’s been masturbating to phone sex lines! It’s the universal alibi!

So…is the idea that ALF was supposed to be calling repair people for all of these problems, and he didn’t do it?

If so, yeah, he’s a dickfart. But Neal is no less of a dickfart. He’s the handyman, so why is he acting like a call center? And what is he out doing all day that’s preventing him from calling these people himself? He’s not going to work; this is his work. He just vanishes until night time because that’s what the script says he does.

Is “Happy Together” actively attempting to set a record for smallest amount of narrative effort?

Then the lady leaves and ALF comes out of the bathroom and does his racist impression of her West Indian accent.

CLASSIC WHOLESOME COMEDY FOR ALL

ALF, "Happy Together"

Later that night we get what might be a deliberate callback to “Looking For Lucky.” In that episode ALF danced around a wrecked living room to a shitty cover of “Old Time Rock and Roll.” Now he’s dancing around a wrecked living room to to a shitty cover of “Tutti Fruitti.” So, just in case you thought ALF might have learned something in three years on Earth, it’s made unmistakably clear here that he has not.

One thing I do like: there’s another pizza box on the window, meaning ALF broke it again sometime between the last scene and this one. See what I mean about small details standing out when the show’s baseline is so low?

Anyway, that’s all I like. Neal and ALF yell at each other for a bit, and while it’s not a bad idea to have a new character for ALF to annoy, it’s a shame that ALF really is pulling the literal first things he pulled on Earth anyway. It’s not him annoying someone new in a way unique to that person; it’s him repeating himself because that’s easier.

Life on Earth is a rich experience. I’ve been through things and seen things and done things that you never will. And I’m a fucking nobody. And you guys…no matter how dull or pointless you think your life is, your experience is something I’ll never know.

We have overlap, sure, but right now, as you read this, your mind is working differently than mine is while writing it. And all of us here, right now, combined, don’t have the personal experience that anybody else has. Some guy at a desk in Moscow lives a life we’ll never understand. Somebody who lives down the street also lives a life we’ll never understand.

As small as the world feels and as limited as our day to day activities are, there’s enough in the way of variation that no two lives will ever be the same.

ALF, by disarming contrast, can’t go three years without repeating himself note for note. So unimaginative is this writing staff that they keep treading over the same plots and jokes endlessly. The premise of this show is that an alien experiences life on Earth for the first time, but somehow the human beings writing this show heard “life on Earth” and could only think of about 10 or 15 things that that entailed.

And that’s infuriating. Human beings should know how rich their own planet is with potential, and this is someone experiencing all of it for the first time.

This guy can do anything. Why are they dead set on having him do nothing?

Then cops come to the door and Jim J. Bullock shits himself.

ALF, "Happy Together"

Surprisingly, we get a moment of pretty good physical comedy. Great, even, by this show’s standards.

Willie and Kate hear something in the night, and pad into the living room. Kate asks, “What if it’s a burglar?”

Willie says, “Don’t worry, honey. I’ve got the lamp.” He picks up the lamp and Kate absently flips the light switch…which causes the lamp to turn on and scare the shit out of Willie, who drops it.

It’s basic stuff, and it’s nothing you haven’t seen other sitcoms do better, but it largely works, and it’s nice to see somebody who isn’t made of old carpet samples getting laughs.

It’s Neal, of course, but he was sleeping so I don’t know what they heard that panicked them so much. Maybe he farts a lot.

ALF, "Happy Together"

Lynn comes out too to see what’s wrong, making this another in a long line of scenes in which everyone forgets there are more members of this family. (I seriously can’t remember if Brian’s had a line yet. I had to look back over my screengrabs just to reassure myself that he was in the episode at all.)

Jim J. Bullock overacts for a few minutes, bitching about ALF.

Which, okay, fine. ALF sucks dick. But really it’s just a repetitive way to pad out the episode. We know ALF is annoying. The Tanners know ALF is annoying. Neal knows ALF is annoying. To have the characters sit around and repeat “ALF is annoying” to each other is just evidence that they had no idea what to do with this plot.

…which makes me wonder, again, why the fuck it’s not about the Tanners and ALF coming to terms with their strained relationship.

Once again, we have an episode that stumbled over a solid premise worth exploring. Once again, the writers decide it’s too much work to explore it, so they have characters sit around and talk about Poochie.

Anne Schedeen does her best to sell a recurring joke in which Kate tries to convince Neal to keep ALF, but it never really goes anywhere, and Willie eventually yells at her to shut up, just to remind readers here what a great guy he is.

Eventually Paul Fusco gets antsy with all these “other” “people” delivering lines and stuff, so we cut to ALF and see that he shat fucking everywhere.

ALF, "Happy Together"

Aaand that’s pretty much the punchline of the whole episode. We knew ALF made a mess of Neal’s apartment, and the grand reveal is that when we cut back to him the mess is slightly larger.

Brilliant.

Willie and Neal come over to inform ALF that he’s going to have to live with the Tanners again, so he burps a bunch of times. Then Neal hugs him and he burps again.

It would be more respectful to the audience if these assholes just gave the camera the finger for three minutes.

ALF, "Happy Together"

In the short scene before the credits, ALF dicks around at the table. He asks Lynn to get him a beer and calls her “Legs,” and, man, this show has been so repulsive over the years that I expect the next episode will see him bending her over the table and buttfucking her while the rest of the family reads the paper.

Willie sends ALF to the attic, because that was his earlier punishment, from way back when the episode might have been good. Neal presumably spends the next 18 months cleaning alien shit out of the carpet.

Countdown to ALF getting a Colombian necktie in front of the Tanners: 13 episodes

MELMAC FACTS: ALF majored in Physical Education.

The Xmas Bash!!! What it is, How it is, and Why it is

Jan Terri, "Excuse My Christmas"

The Xmas Bash!!! has become an annual tradition around here, but I realize now that its purpose (and appeal) might be a bit unclear to folks who haven’t attended. For those who have, you know what it’s all about. For those who haven’t, it probably seems like this impenetrable oddity that I don’t shut up about for 30 days out of the year.

What’s the deal with the lousy Christmas specials? Why in the world would anyone give up their night for that? And what’s with the money you’re collecting?

All valid questions that I’m sure many readers have asked themselves. Which is why I want to take some time to talk about the event. Even those who have made it out to all three years (the true Noiseless Chatter veterans who deserve your respect and pity) might not know entirely what it is, how it came to be, or why it’s important to me. So here’s a brief history of The Bash!!! and its development.

And please do comment below with any questions or suggestions for the future. If anything it’s an organic, evolving beast, and I want every year to be the best year yet.

Conception

ALF, "Oh, Tannerbaum"

The Xmas Bash!!!, like so much of modern entertainment, owes its genesis to ALF. No, really; it does. Three years later it amuses me deeply that this whole massive event is technically a spinoff of the ALF reviews, but it is.

In 2013, I started reviewing every episode of that often insane, periodically troubling puppet show. I posted a review every week, and at some point I realized that my review of “Oh, Tannerbaum” (the show’s first Christmas special) would be posted a week after Christmas.

That was fine, but it was so close to Christmas that it seemed like a missed opportunity. I considered shuffling up the order, just that once, so that I could get that review live within the appropriate week, but ultimately I decided not to. (Chaos theory in action: had I started reviewing ALF just one week sooner than I did, the Xmas Bash!!! would not exist.)

Instead I decided that it would be fun to screen “Oh, Tannerbaum” together, with all of my readers and whomever else decided to show up. That way we could all watch it before Christmas, even if the review wouldn’t be posted until afterward.

That’s it. That’s the entire genesis of the Xmas Bash!!! I just wanted a way to get “Oh, Tannerbaum” in front of people during the right week.

From there, I thought it would be fun if we all riffed on it together. We wouldn’t just watch ALF; we’d review it as a group. I wrote my review ahead of time so that I wouldn’t have my opinions tainted or changed by anything anyone said, but the idea of everyone commenting on it in real time was appealing to me, so I found a streaming site that offered live chat: Twitch.

I tested the stream out a few times with a friend (J.P., who has served as my technical troubleshooter all three years), and it seemed like it would work. It was something that could actually happen, and I was excited.

Fleshing it Out

Sabrina, the Teenage Witch

Of course, screening “Oh, Tannerbaum” would take all of 23 minutes, and asking people to tune in just for that seemed…silly. Especially if we ended up having fun. What would happen after the episode ended? We’d just say goodnight and find other things to do? Nuts to that.

So I figured I’d find a few other Christmas specials — preferably corny ones — to follow it up. I had Hulu Plus at the time, and since that was my source for “Oh, Tannerbaum” I thought I’d comb through their other offerings and find a few more that way. That’s how I ended up with shows like Major Dad and Sabrina, the Teenage Witch.

Those aren’t shows I ever would have thought about otherwise, but they set the precedent for the kind of thing I’d look for in the future. It’s also how I stumbled upon the great Lassie Christmas episode, which opens with the titular dog being creamed by a careless driver. I’d never even heard of that episode, and I had no idea what happened in it. It was just a show I remembered watching as a kid, and it had a Christmas episode. Fate brought that one to us, and it’s still one of the funniest Xmas Bash!!! memories for me.

I found as many episodes as I could and realized I could make a whole night out of it, so that’s what I did.

The Partridge Family, "Don't Bring Your Guns to Town, Santa"

The only problem was switching between episodes. I could just leave the screen capture running and let people watch me navigate Hulu finding the next special, and that would have been fine (if damned clunky), but I really wanted something to fill that dead space between episodes.

That’s when I figured I’d host the show, and give the night some structure and narrative.

Sure, we could just watch a bunch of disconnected Christmas specials…but as long as I had dead space to fill, why not give it a purpose? The idea of watching and riffing on Christmas specials was obviously in line with Mystery Science Theater 3000, so I decided to provide similar breaks from the chaos in the form of host segments.

Host Segments

Host Segments, Year One

The host segments had to be simple, since I was filming this stuff the day it aired. Beyond that, I didn’t really have much of an idea for them.

My humor tends toward the dark and self-effacing, and I figured that would make for a good counterpoint to the sap and syrup we’d likely get throughout the night in the Christmas specials. I made a list of a few sad things the holiday season could bring out in someone (being lonely, remembering traumatic Christmases past, eating shitty candy), and improvised around those.

I’ll be the first to say that they should have been more tightly scripted or edited. I wanted it to feel natural, but I probably went too far in that direction. I know first hand how difficult it is for the joke to be “this guy isn’t funny” without the experience actually being unfunny, and yet I keep trying that approach over and over again (see the first episode of my old Save-State Gamer series), never truly learning the lesson.

The host segments received some positive feedback, but for my money they were still a bit too loose and unfocused. They broke up the night (which is good), and tied all of the Christmas specials together (which is also good), but compared to the later Xmas Bash!!!es, they were a drag, and gave the night a too-lethargic feel. I was learning as I went, so I don’t mean to be too critical of myself, but there’s no way I’d ever return to that zero-energy approach in the future. I don’t know how anyone sat through those. Hopefully they served as a great chance to urinate without worrying that you’re missing anything.

My tie and sweater vest made me look even nerdier than usual, which led viewer Daniel to repeatedly riff on me looking like the host of an NPR pledge drive. It was unexpectedly prescient…as we’ll see.

Host Segments, Year Three

From a logistical standpoint, the host segments all lived together in the same video file; I’d pause it when the segment was over, click over to the Hulu window to air a special, then click back over to the video file and unpause it for the next host segment.

Due to this the progress bar at the bottom of the video player let everyone know how deep into the night we were. I was fine with that (and I saw it as a good thing, actually), but somebody riffed on my performance by saying that it seemed like when the little blue line was full, I’d commit suicide.

That’s what led to the running joke of me dying every year in the host segments. I didn’t actually die the first year, but the suicide joke gained traction in the chat, and something happened to the stream that prevented anyone from seeing the ending, so it became passive canon that my character, indeed, killed himself.

Merry Xmas!

Technical Difficulties

Here’s what prevented anyone from seeing the ending: the stream died.

Lassie, "A Christmas Story"

As the night wore on, I got very excited by how many viewers we had. We probably started with around 30, but before long we hit 100. And we kept going from there. Not too shabby for something spur of the moment with no planning.

The reason we got so many viewers, I’m sure, is that we were on Twitch, which is a very popular streaming site. Their own users were looking for something to watch, found us, and tuned in. It was great, and it’s still the largest Bash!!! turnout we’ve had yet.

With visibility, however, came the problem of legality. Someone reported the stream as being against Twitch’s Terms of Service, and we were shut down. Unfortunate, but…I couldn’t really argue.

Some folks have asked what specials we missed out on that night, but don’t worry; there were only two more to go when we got canned. The first was The Fat Albert Christmas Special, which we aired the following year, and the next was a repeat of “Oh, Tannerbaum” for those who tuned in late. I’m sad that we didn’t get to end the stream properly, but nothing was truly lost.

That meant that we only got to air seven specials that night. But that’s okay, because seven is a really nice number anyway, and each year since we’ve aired seven more. Another accidental birth of tradition.

The ending of Year One

The fact that someone reported us is the reason I don’t post the link to the stream ahead of time anymore. That’s why I make the stream private. It doesn’t always prevent unfortunate moderation, but as of now, secrecy is the only choice I have. That’s why I’m very interested in finding a new streaming solution, but we’ll get to that.

That wasn’t the only technical issue of the night, though. J.P. helped me troubleshoot ahead of going live, but when we started the stream, there was an unfortunate echo effect to the audio. I tried everything I could to fix it, but folks were already watching. They were stuck listening to ALF repeat endlessly, “It’s the day before Christmas! I’ve hidden all the eggs,” which has since become a kind of Noiseless Chatter shibboleth.

Longtime reader Jeff emailed me this year to say, “The best traditions are the ones that arise organically from awesome events, as did this one.” And looking back on the way these Bash!!!es have unfolded, it’s so true. I could have sat down one day and manufactured a special event out of thin air…but it wouldn’t have felt the same. It’d feel too deliberate. Too intentional.

A tradition born of beautiful accidents means so much more.

While fixing the audio I chose to play that terrible “Chacarron” song to keep people entertained, but if there’s anything that makes that song even worse it’s a compounding echo effect. So, you’re welcome.

At some point I got the echo down to a very low level; even though the lines were repeated they were done so very quietly. Somebody observed that this sounded like demonic whispering in the background of all the shows.

I was okay with this.

Charity Telethon

RIP Robin Williams

That was the first Xmas Bash! Between that and the second one, something big happened: Robin Williams committed suicide.

I was never a big fan of Williams. In fact, he kind of annoyed me. But his suicide was important because of how it made people react. The outpouring not of grief, but of identification.

I heard and saw friends coming out of the woodwork to talk about their own struggles with depression, their own suicidal thoughts, their own difficulties making it through any given day. In just about every case, I never would have guessed that these people important to me were facing demons like that. It was something everyone had always been afraid to talk about, until Williams’ suicide reminded them that bottling it up could very likely kill them.

Williams was a celebrity. He was well-loved. He was wealthy. He had a family and a career and a deep and important legacy. And then, in August, demons nobody knew he had defeated him. It shocked a lot of people, and helped a lot of others to open up.

As a response, I invited readers to submit their stories. They did. It was profoundly heartbreaking and inspiring. That’s still my favorite thing we’ve ever done on this site. One day Noiseless Chatter will no longer exist, and I’d be surprised if anything I do between now and that point that means more to me.

But it also frustrated me. I wanted to do something.

People out there were hurting. They needed help. They needed to know they weren’t alone. I came up with the idea for a Mental Health Scholarship. I’d collect money and put together whatever sum I could…and offer that to someone around the holidays. Someone who needed therapy or medication that they couldn’t afford. Someone who needed the help.

ALF, "ALF's Special Christmas"

I talked to my friend Emily — one of this site’s longest readers and supporters — and discovered a lot of logistical problems in terms of getting and handling the money. On top of that, I also knew that by selecting a recipient I’d be denying the funds from others who needed them. I could make Christmas brighter for one person, and unfortunately remind others how far from help they were.

It wasn’t something I could legally or emotionally figure out, so she advised me to find a charity that already did what I was trying to do, and collect the money for them.

She was right, of course. That was the solution. So I found The Trevor Project, which specifically offers mental health and suicide prevention services to LGTBQ youth. I was thrilled to find them, and they’ve been incredible to work with.

As difficult as the holidays are for me — and for countless others, including, perhaps, you — I can’t imagine how much harder they are for young folks who have been kicked out of their homes and shunned by their families because of who they are. I mean, I’m a straight white male from a well-enough-off family, college educated, free from disability or addiction, and most likely the handsomest man on Earth. If I have trouble getting through life, I can’t begin to imagine how difficult it is for others.

Host Segments, Year Two

I don’t mean to be flippant (aside from the handsome thing; I’m actually quite unattractive). My point is just that by mere circumstance of my birth, I don’t have to deal with so many of the hurdles that others have to. If I did have to deal with those, things would be exponentially harder. And I feel deeply for people in situations worse than mine.

So the 2nd Annual Noiseless Chatter Xmas Bash!! would have a charitable component. That worked well, in one way, because it was already a longform entertainment event, like the charity telethons of old. But in another way, it posed a problem.

Amanda

Amanda!

If the Xmas Bash!! was going to be helping people — and soliciting actual financial donations to a reputable organization — there was a potential tonal inconsistency.

How could I be funny in the host segments and ask people to take me (and the night) seriously? How could we ridicule ALF and The Partridge Family and Nestor the Long-Eared Christmas Donkey if we were supposed to be doing some good for others?

Charity is serious. Comedy is not. There was a problem of balance that I didn’t know how to overcome, short of turning all of the host segments into scenes of me saying, “We’re having a lot of fun here tonight, but here’s what’s not so fun…”

I didn’t want that.

There’s no way you’d want that.

I wanted to facilitate donations without demanding them. If folks had no interest in giving to charity, I still wanted them to enjoy the night and laugh their heads off. But if they did want to donate, I wanted them to understand that that was a serious (and very much appreciated) option. I needed to have it both ways.

That’s where Amanda came in. Amanda’s been in a strange sort-of-cohost position for the past two Bash!!!es. That’s by design. If I can do my own ridiculous sad-sack bullshit in the host segments, she needs to be able to stand apart from (and, in a way, above) the rest of the night. When she lets you know about The Trevor Project, it means something different than if you’d heard it from me, acting like a bozo who is slowly freezing to death in a ditch.

Amanda, Year Three

It worked great. She’s been fantastic. I gave her some lines with a sort of subtle humor, but which were largely sincere. I let her know that if she was uncomfortable with any of them for any reason, that she could (and should) let me know, and I’d rewrite them.

She had no concerns with the material at all. She recorded everything I gave her, and even gave the lines a perfectly creepy twist that I adored. Amanda built her own character on top of what I asked from her. She was both serious (as I needed) and hilarious (as I wanted).

Amanda’s a good friend of mine. We bonded around the time of Williams’ suicide, and she revealed herself to be not just a sweet, funny, incredible human being…but a source of genuine inspiration as well. I knew she’d be a perfect fit for the event.

I think I was right, because she ended up being my single favorite thing about the second Xmas Bash!!, and I invited her back for the third. In fact, much of what she said and did in the third was improvised; she built even more of a persona for herself, and deviated substantially from the material I gave her. I couldn’t be happier.

After this year’s Bash!!!, I learned that she had been worried about participating in these events, as she has a fear of public speaking.

I had no idea.

I’m glad I didn’t know, because if I did I wouldn’t have asked her. Instead she pushed through it, and came out the other end feeling more secure and confident in herself. A very coincidental — and very reassuring — byproduct of the stream’s increasing good intentions.

Viva Variety

Ronnie the Skeleton, "Deck the Halls"

Of course, telethons tend to be very varied events. And, yes, following a magical space robot singing about Jesus with a story about the time Pac-Man saved Santa Claus would indeed count as “varied events.” But I wanted more than just different shows; I wanted a reason for folks to keep watching, to worry about missing something, to keep the energy up throughout the night and encourage people to stay alert and interested.

And I handled that in a few ways. For starters, I thought it might be fun to dig up more archival stuff. We had the specials, but I inserted vintage commercials into the breaks as well. And between specials, I aired smaller pieces of longer things that I’d never dare show an audience in their entirety. This included the Jefferson Starship segment from the Star Wars holiday travesty, David Bowie and Bing Crosby singing “Little Drummer Boy / Peace on Earth,” and the Ninja Turtles performing “The Wrap Rap” from We Wish You a Turtle Christmas, which I aired in its entirety this past year anyway because I hate you.

The addition of commercials and inane Christmas musical sequences continued this year, and likely will as long as I can find material to sustain them. Maybe at some point I’ll need to repeat some of those smaller segments, but that’s okay. They’re just a few minutes here and there, and they keep the pace up. They’re so far removed from listening to me drone on between specials, and I’d like to think they’re a thousand times more enjoyable as well. For whatever reason, they tend to get riffed even harder; maybe everyone realizes that they only have a few seconds to make their best joke. I’m glad, because reading the chat during Jingle Cats footage, for instance, is guaranteed to be painfully funny.

In addition I asked a few folks to put together special segments of their own. We had original music from Andy Starkey, a debut episode of PortsCenter by Ben Paddon, an original Christmas song from Adam Lore, illusions from Wes Iseli, a new episode of The Big Bible Blastoff from Sammy Scripture, an ALF-heavy installment of No Date Gamers from Ryan, and more.

Wes Iseli, Year Three

And while this was a great way of making the stream feel more varied, I admit that it lost a bit of focus. That’s due in no part whatsoever to those who contributed segments, because all of those were great; it was poor planning on my part.

Three-time Bash!!! veteran Ridley observed on the night that it went against the spirit of the event to include things that are actually good. He’s probably right. Asking someone to shift from laughing at something to laughing with something else is difficult, and it makes things feel confused.

At the very least, the balance was off, and there should have been more vintage programming and less unique content. I still like and want the unique content, but it shouldn’t be a shared focus. It should serve as more of an intermission from the rest of the night’s programming.

So for the 3rd Annual Xmas Bash!!! there was less of it. Another great song from Adam, more awesome illusions from Wes (including one that definitively established me as worse than The Grinch), and a tour de force return from Amanda. Those were natural fits, because their contributions were brief, and served as perfect little signposts throughout the night, rather than distractions from what we were doing.

There will still be unique content in the future, but balancing things will be a priority of mine. For what it’s worth, and to open the discussion, I think the balance achieved this year was ideal. I’d like to hear your thoughts on that, for sure.

Legal Matters

Walker: Texas Ranger, "A Ranger's Christmas"

And that’s pretty much the story of the Xmas Bash!!! So far we’ve raised over $700 for The Trevor Project, which is incredible to me, and I’m endlessly grateful to everyone who tuned in, everyone who donated, everyone who provided content or feedback…and just everyone, really. You guys are fantastic, and I hope you’ll help me to make next year’s — and the year’s after that — even more successful.

Of course, there’s a looming issue: copyright.

Twitch terminated us the first year, and Hitbox terminated us (temporarily) this year. I’d rather not rely on tricking streaming sites into letting us violate them left and right, so if you have any suggestions at all on how to host the stream moving forward, please let me know so I can investigate them.

I’m aware that what we’re doing is a big no-no. It’s copyrighted material. Period. There’s no way around that.

On the other hand, it’s for charity. I’m not making any money off of the event, and any donations go straight to The Trevor Project; they don’t come through me at all.

I’d like to keep this up. I’ve always wanted this event to feel like a Christmas party. A real Christmas party, where you get together with people you like once a year to have fun. To laugh. To drink too much. To be in good company where you can make a crappy joke and nobody will pick on you, because we’re all making crappy jokes in the hope that one of them, against all odds, will manage to be great.

Vintage Silverman's ad

A Christmas party for introverts, who love bad TV because of how bad it is. Who can bond in each other’s nerdy references and reminders of a more sincere time in pop-culture that’s been swept away by irony and winking self-awareness. People who want to dip one toe into the past at a time of year that warrants a little bit of sap. People who may or may not have anywhere else to go, or who just want a break from reality for a few hours.

It is a real party. As real as any party, with the exception of the fact that you’ll never have to worry about running into someone you don’t like.

And we’ve got ALF on the TV and Jan Terri on the playlist, because we can see Charlie Brown anytime and hear the same 50 versions of the same 10 Christmas songs in any given Starbucks. It’s a party at which the host is curating stuff that you won’t see anywhere else, and he’s doing it for a good cause. And just by being there, you’re doing good, too.

So…what can we do? Is there a streaming service that’s amenable to this? Is there some way I can stream it live through my own site? I know I can just host a big video file for download and ask that we all press play at the same time, but that’s a poor solution for many reasons. I’d rather it be something people can drop into and out of throughout the night, so, please, if you’re aware of any way we can do this more reliably in the future, let me know.

The Future, and Questions for You

Mighty Morphin' Power Rangers, "Alpha's Magical Christmas"

And speaking of which, let me know what you’ve liked and didn’t like. Which specials have been your favorites?* Which have been your least? I’m aware that they’re all varying degrees of lousy, but I’m curious which ones brought you the most joy to riff on. (And the ones, in all honesty, you felt were pretty dead or unriffable.)

Let me know your suggestions for the future. Bad specials to screen. Christmas songs so odd you’re surprised I haven’t aired them yet. Ideas to make it more fun. Anything. So far each year has been better from the last, and I’d like to keep that up as long as humanly possible.

So let me know what you think. And thanks for all of your support — of the event and the site in general — over the past few years. You’ve taken some mindless outlet for my writing and helped me turn it into something productive and special.

I’ve heard from viewers who tell me how important the stream is to them. I’ve heard from one woman who told me that the Xmas Bash!!! is the only Christmas activity she and her husband participate in. And this year I hosted the same stream on both nights…and saw a significant number of people tune in to both nights simply because they enjoyed it so much the first.

The holidays have always been difficult for me, and the Bash!!! is now the thing I look forward to most. And I look forward to it a lot. If anyone out there benefits from it as well, then that’s great. The fact that so many benefit from it — both from participating and from the donations — is deeply moving to me.

The Noiseless Chatter Xmas Bash!!! has taken the most difficult time of year for me and turned it into my most anticipated.

I love you guys for that. And I already can’t wait for you to see all the shit I’ve got planned for you next year.

The Bill Cosby Show, "A Christmas Ballad"

Happy holidays, everyone. I couldn’t do any of this without you.

—–
* For the record, my favorites so far were Lassie, Major Dad, Fat Albert, Power Rangers, The Bill Cosby Show, We Wish You a Turtle Christmas, and Walker: Texas Ranger. Coincidentally, that’s seven specials. Pretend they’re airing right now in a Best Of retrospective.

Merry Xmas, Every One!!!

Xmas Bearsh!!!

It’s Christmas! Which means you aren’t reading this!

…but if you are, I just wanted to take a moment to wish you a great December 25, whatever you do or don’t call that day.

I’ll have my traditional Sappy New Year post next week, obviously, so I won’t get into too much right now, but I’d like to thank everyone who tuned into the Xmas Bash!!! this year. It was definitely the best stream ever, and so far we’ve raised a total of $710 for The Trevor Project. (You can still donate here: https://www.classy.org/xmasbash )

And, hey, don’t forget to email official Xmas Bash!!! illusionist Wes Iseli with the subject “Trevor Project / Free Magic.” He’s got a special video that’ll teach you how to perform a simple trick yourself. Take advantage of that! And, of course, feel free to check out his site here. Wes has been such a great and supportive person when it comes to these streams…I’m very glad to work with him on these, so drop him a line and let him know you appreciate it, too.

I’ll stop myself there, though, because if I go on I’ll end up ranting about the Xmas Bash!!! and those involved for ages…and that’s something I’ll do in another post. At some point soon I want to do a little writeup on the Xmas Bash!!! in general…nothing self-congratulatory or anything, but just to answer a few questions about it, and give a little bit of perspective into why I do it, and why I’m always so happy when you guys participate.

I will say here, however, that the holidays have always been a bit rough for me. It’s a trying time of year, and it never really gets easier. Maybe you feel that way, too. If you do, just know you’re not alone. And if you don’t feel that way…try to be a little understanding for those who do. It might be frustrating that a friend or a family member doesn’t seem to share in your high spirits, but it’s not their fault. Be there for them, but don’t push them.

Above all, remember that today is your day, whoever you are. Celebrate it as much or as little as you like, and don’t push anyone else into sharing your idea of what it’s all about. Because it’s their day, too.

But that’s enough out of me. Be kind, be understanding, behave. And enjoy your holiday. I may not have much to post between now and New Year’s Day, but I’m not going anywhere. And I have some awesome plans for 2016. I’ll tell you more about those later.

One question I do have, if you’re hanging around and feeling festive enough to answer it: since we celebrate the lousy Xmas TV specials here every year, what are some that you’ve enjoyed? I’m thinking of both the standalone specials, and Christmas episodes of other series.

American Dad! has a slew of great ones. The Simpsons had at least two classic ones. Moral Orel‘s first Christmas special was a work of daring emotional brutality. The UK version of The Office gave us probably the best Christmas special in history. And South Park‘s first Christmas episode is still a great combination of sweetness and cynicism. What other Christmas episodes — recent or not — do you remember fondly?

Don’t worry; I’m not asking because I intend to feature good Xmas specials in the Bash!!! moving forward. I’m just curious what holiday episodes are well-regarded.

For those who couldn’t tune into the Bash!!!, here’s what you should be happy you missed:

The 3rd Annual Noiseless Chatter Xmas Bash!!!

  • ALF: The Animated Series, “A Mid-Goomer Night’s Dream”
  • The Bill Cosby Show, “A Christmas Ballad”
  • Full House, “Our Very First Christmas Show”
  • We Wish You a Turtle Christmas
  • Mr. Ed, “Ed’s Christmas Story”
  • Perfect Strangers, “A Christmas Story”
  • Walker: Texas Ranger, “A Ranger’s Christmas”

And no-one died.