One month from today sees the release of Moonrise Kingdom, Wes Anderson’s seventh film and one I’ve been looking forward to for a long time. To celebrate, I will be giving this blog over to discussions of Anderson and his work, and I can’t think of a living director more deserving of that attention.
The rolling tribute will last for one month, up to the release of Moonrise Kingdom, so if you have no interest in that or any of his other films, I’ll see you in June! Nah, I’ll probably have a bunch of non-Anderson posts here as well, but this will give me a good outlet for what is some pretty major excitement right now.
What you can expect to see:
– Commentary on the Moonrise Kingdom Trailer, along with some analysis and conclusions drawn from what we know so far
– A Noiseless Chatter Spotlight on one of Wes Anderson’s films. Feel free to suggest which one.
– That’s How We’ve Always Done It: A discussion of the consistency of Wes Anderson’s approach, themes and characterizations, and whether it’s an indication of his strong and developed voice, or a reluctance to chart new ground.
– Listomania: The 10 Most Affecting Wes Anderson Moments, reworked from my original article at Noise to Signal
– Anatomy of a Scene: Deconstructing one of Anderson’s many unforgettable moments, and taking a look at how and why it works.
– A Look Back at Wes Anderson’s previous films, as a brief primer for newcomers.
– Friday Musical Interludes consisting of licensed music from the films of Wes Anderson
– My Review of Moonrise Kingdom, once it’s out of course. Spoiler: It’s better than Fantastic Mr. Fox. Because come on.
…and maybe some more stuff too, so stick around. I look forward to counting down the days with all of you, and reading your comments as we discuss one of the most interesting artists of any kind working today.
Oh, and the image above and to the right is an egg I dyed with my girlfriend this past Easter. It’s Steve Zissou, and I ate him on a sandwich.